These are five beautiful girls. They run and laugh freely. They are full of youth and vitality, but they don't know what the scene of playing with boys will bring them this time. as a result of. After returning home, the five girls were called into the room by their grandmother, and were talked to one by one. Although they resisted, the punishment still came. The reason was because he went to the beach to play with the boy and rode on the boy's neck, and all this would be regarded as immoral, and he was even taken to the hospital by his uncle to check his chastity, because here, without chastity, you can't get married. In order to strictly discipline them, their uncle imprisoned them at home and built a fence around the house. The grandmother changed out of bright clothes that symbolized their individuality, and replaced them with uniform dark robes for them to wear. All they can do every day is learn to cook with their grandmother, so that they can get married in the future, but what about young girls? Enduring, they put on beautiful clothes, cut off their robes, sneaked over the wall to go out on dates, went to the ball game, still laughing and laughing. The grandmother knew that she couldn't control the girls, so she could only choose to let them get married quickly, or even arrange the marriage immediately after menstruation. They can't choose their own marriages, they can only obey the arrangements of Allah, and they may marry strangers they have never met. The eldest sister and the second sister who are married at the same time form a sharp contrast. The eldest sister who has resisted, chose to marry her People who love each other are happy at the wedding, but the second sister is not so lucky. The groom is just a man who has met once. He has no feelings at all. He can only cry silently at the wedding. When the third sister faces the same experience , She chose to commit suicide to end her life. The fourth sister planted the seeds of resistance in her heart, but she mechanically made all preparations to marry a stranger. Fortunately, with the help of the fifth sister, the torch in her heart was lit. They escaped together, went to Istanbul together, found their teacher, and escaped the shackles. This is the end of the film and the beginning of the film. We don't know whether the two sisters can survive well in such an unfamiliar environment, but we are glad that they finally escaped from the prison-like home. The only person in this film who has the spirit of resistance and resists is La, Lale is the youngest, but the most insightful, in the game, she will want to start over, she will rush directly to Mrs. Pate to accuse She, when they were imprisoned by their uncle, she would encourage her sisters to flee together to watch the football game that was not allowed to be watched. She saw that the second sister who was married was not happy, and said to her, "You can go to Istanbul" Yes, why not run away? Why should I be at the mercy of a patriarchal society? So, Lale tried to learn to drive, to charge for the escape. With sufficient preparation, in the end, she succeeded. Laleigh is a wild horse. She finally broke out of the cage, free and unfettered. Most of the shots in the film are bright, and the director uses soft light to show the beauty, freedom and unrestrainedness of the girls' youth. The most conspicuous thing is their long hair. Unlike other women, they have not cut or coiled their hair. , Covered with a robe, their long hair is loose, and the roots are distinct under the sunlight, allowing us to see the unique beauty of women. And at certain moments in the film, the colors are too dark to see, and the different perspective switches and camera cuts allude to Uncle's behavior. We have a stereotype of Muslim women, wearing black robes with only bright eyes, walking in groups, not talking to men, not going to work, and can only be safe at home as housewives, while Muslim women Men also have a serious virginity complex. Women who are not virgins cannot marry. In some areas, women are even subjected to cruel circumcision. The movie "Wild Horse" takes place in Turkey, which is the closest to the West among Islamic countries. Modern civilization can be seen everywhere, but there is still a strong religious dross. "I bowed my head in shame, and it took me many years to have the courage to dissent. So I wanted my characters to be heroines, and their courage would definitely pay off. Whenever I go back to Turkey, I can feel it. As women's restrictions, there is always a concept in society that women are just reproductive machines doing housework. In a country that first won women's right to vote, we still have to fight for the basic human right of abortion, which is really sad. .” This is the monologue of director Aegwin. This Turkish female director was also deeply bound by traditional etiquette when she was a child. The five women she created also represent characters with different fates, but she must also want to be like Lara Ray broke through the shackles like this and escaped from the oppressive wild horses. The color of youth, the beating eyes, they yearn for freedom, and the light from youth cannot be wiped out by the world. Religion and the male-dominated world are changing. The last two girls who bravely ran away are like wild horses who refuse to be tamed. Between them, we seem to see the endless cry for freedom in the future. She has obtained redemption, and her redemption is her teacher. The teacher is the light in her gloomy life, the driving force for her escape, and her hope. Perhaps only education can break the ignorance of religion, and perhaps only education can make these young girls break out of the cage. Under the religious cage of ignorance, education is the key to unlocking the cage. Bright, the director used soft light to show the beauty, freedom and unrestrainedness of the girls' youth. The most conspicuous thing is their long hair. Their long hair is loose, and the roots are distinct under the sunlight, allowing us to see the unique beauty of women. And at certain moments in the film, the colors are too dark to see, and the different perspective switches and camera cuts allude to Uncle's behavior. We have a stereotype of Muslim women, wearing black robes with only bright eyes, walking in groups, not talking to men, not going to work, and can only be safe at home as housewives, while Muslim women Men also have a serious virginity complex. Women who are not virgins cannot marry. In some areas, women are even subjected to cruel circumcision. The movie "Wild Horse" takes place in Turkey, which is the closest to the West among Islamic countries. Modern civilization can be seen everywhere, but there is still a strong religious dross. "I bowed my head in shame, and it took me many years to have the courage to dissent. So I wanted my characters to be heroines, and their courage would definitely pay off. Whenever I go back to Turkey, I can feel it. As women's restrictions, there is always a concept in society that women are just reproductive machines doing housework. In a country that first won women's right to vote, we still have to fight for the basic human right of abortion, which is really sad. .” This is the monologue of director Aegwin. This Turkish female director was also deeply bound by traditional etiquette when she was a child. The five women she created also represent characters with different fates, but she must also want to be like Lara Ray broke through the shackles like this and escaped from the oppressive wild horses. The color of youth, the beating eyes, they yearn for freedom, and the light from youth cannot be wiped out by the world. Religion and the male-dominated world are changing. The last two girls who bravely ran away are like wild horses who refuse to be tamed. Between them, we seem to see the endless cry for freedom in the future. She has obtained redemption, and her redemption is her teacher. The teacher is the light in her gloomy life, the driving force for her escape, and her hope. Perhaps only education can break the ignorance of religion, and perhaps only education can make these young girls break out of the cage. Under the religious cage of ignorance, education is the key to unlocking the cage. Bright, the director used soft light to show the beauty, freedom and unrestrainedness of the girls' youth. The most conspicuous thing is their long hair. Their long hair is loose, and the roots are distinct under the sunlight, allowing us to see the unique beauty of women. And at certain moments in the film, the colors are too dark to see, and the different perspective switches and camera cuts allude to Uncle's behavior. We have a stereotype of Muslim women, wearing black robes with only bright eyes, walking in groups, not talking to men, not going to work, and can only be safe at home as housewives, while Muslim women Men also have a serious virginity complex. Women who are not virgins cannot marry. In some areas, women are even subjected to cruel circumcision. The movie "Wild Horse" takes place in Turkey, which is the closest to the West among Islamic countries. Modern civilization can be seen everywhere, but there is still a strong religious dross. "I bowed my head in shame, and it took me many years to have the courage to dissent. So I wanted my characters to be heroines, and their courage would definitely pay off. Whenever I go back to Turkey, I can feel it. As women's restrictions, there is always a concept in society that women are just reproductive machines doing housework. In a country that first won women's right to vote, we still have to fight for the basic human right of abortion, which is really sad. .” This is the monologue of director Aegwin. This Turkish female director was also deeply bound by traditional etiquette when she was a child. The five women she created also represent characters with different fates, but she must also want to be like Lara Ray broke through the shackles like this and escaped from the oppressive wild horses. The color of youth, the beating eyes, they yearn for freedom, and the light from youth cannot be wiped out by the world. Religion and the male-dominated world are changing. The last two girls who bravely ran away are like wild horses who refuse to be tamed. Between them, we seem to see the endless cry for freedom in the future. She has obtained redemption, and her redemption is her teacher. The teacher is the light in her gloomy life, the driving force for her escape, and her hope. Perhaps only education can break the ignorance of religion, and perhaps only education can make these young girls break out of the cage. Under the religious cage of ignorance, education is the key to unlocking the cage. Some are beautiful. And at certain moments in the film, the colors are too dark to see, and the different perspective switches and camera cuts allude to Uncle's behavior. We have a stereotype of Muslim women, wearing black robes with only bright eyes, walking in groups, not talking to men, not going to work, and can only be safe at home as housewives, while Muslim women Men also have a serious virginity complex. Women who are not virgins cannot marry. In some areas, women are even subjected to cruel circumcision. The movie "Wild Horse" takes place in Turkey, which is the closest to the West among Islamic countries. Modern civilization can be seen everywhere, but there is still a strong religious dross. "I bowed my head in shame, and it took me many years to have the courage to dissent. So I wanted my characters to be heroines, and their courage would definitely pay off. Whenever I go back to Turkey, I can feel it. As women's restrictions, there is always a concept in society that women are just reproductive machines doing housework. In a country that first won women's right to vote, we still have to fight for the basic human right of abortion, which is really sad. .” This is the monologue of director Aegwin. This Turkish female director was also deeply bound by traditional etiquette when she was a child. The five women she created also represent characters with different fates, but she must also want to be like Lara Ray broke through the shackles like this and escaped from the oppressive wild horses. The color of youth, the beating eyes, they yearn for freedom, and the light from youth cannot be wiped out by the world. Religion and the male-dominated world are changing. The last two girls who bravely ran away are like wild horses who refuse to be tamed. Between them, we seem to see the endless cry for freedom in the future. She has obtained redemption, and her redemption is her teacher. The teacher is the light in her gloomy life, the driving force for her escape, and her hope. Perhaps only education can break the ignorance of religion, and perhaps only education can make these young girls break out of the cage. Under the religious cage of ignorance, education is the key to unlocking the cage. Some are beautiful. And at certain moments in the film, the colors are too dark to see, and the different perspective switches and camera cuts allude to Uncle's behavior. We have a stereotype of Muslim women, wearing black robes with only bright eyes, walking in groups, not talking to men, not going to work, and can only be safe at home as housewives, while Muslim women Men also have a serious virginity complex. Women who are not virgins cannot marry. In some areas, women are even subjected to cruel circumcision. The movie "Wild Horse" takes place in Turkey, which is the closest to the West among Islamic countries. Modern civilization can be seen everywhere, but there is still a strong religious dross. "I bowed my head in shame, and it took me many years to have the courage to dissent. So I wanted my characters to be heroines, and their courage would definitely pay off. Whenever I go back to Turkey, I can feel it. As women's restrictions, there is always a concept in society that women are just reproductive machines doing housework. In a country that first won women's right to vote, we still have to fight for the basic human right of abortion, which is really sad. .” This is the monologue of director Aegwin. This Turkish female director was also deeply bound by traditional etiquette when she was a child. The five women she created also represent characters with different fates, but she must also want to be like Lara Ray broke through the shackles like this and escaped from the oppressive wild horses. The color of youth, the beating eyes, they yearn for freedom, and the light from youth cannot be wiped out by the world. Religion and the male-dominated world are changing. The last two girls who bravely ran away are like wild horses who refuse to be tamed. Between them, we seem to see the endless cry for freedom in the future. She has obtained redemption, and her redemption is her teacher. The teacher is the light in her gloomy life, the driving force for her escape, and her hope. Perhaps only education can break the ignorance of religion, and perhaps only education can make these young girls break out of the cage. Under the religious cage of ignorance, education is the key to unlocking the cage. See thick religious dross. "I bowed my head in shame, and it took me many years to have the courage to dissent. So I wanted my characters to be heroines, and their courage would definitely pay off. Whenever I go back to Turkey, I can feel it. As women's restrictions, there is always a concept in society that women are just reproductive machines doing housework. In a country that first won women's right to vote, we still have to fight for the basic human right of abortion, which is really sad. .” This is the monologue of director Aegwin. This Turkish female director was also deeply bound by traditional etiquette when she was a child. The five women she created also represent characters with different fates, but she must also want to be like Lara Ray broke through the shackles like this and escaped from the oppressive wild horses. The color of youth, the beating eyes, they yearn for freedom, and the light from youth cannot be wiped out by the world. Religion and the male-dominated world are changing. The last two girls who bravely ran away are like wild horses who refuse to be tamed. Between them, we seem to see the endless cry for freedom in the future. She has obtained redemption, and her redemption is her teacher. The teacher is the light in her gloomy life, the driving force for her escape, and her hope. Perhaps only education can break the ignorance of religion, and perhaps only education can make these young girls break out of the cage. Under the religious cage of ignorance, education is the key to unlocking the cage. See thick religious dross. "I bowed my head in shame, and it took years for me to have the courage to dissent. So I want my characters to be heroines, and their courage will definitely pay off. Whenever I go back to Turkey, I can feel it. As women's restrictions, there is always a concept in society that women are just reproductive machines doing housework. In a country that first won women's right to vote, we still have to fight for the basic human right of abortion, which is really sad. ." This is the monologue of director Aegwin. This Turkish female director was also deeply bound by traditional etiquette when she was a child. The five women she created also represent characters with different fates, but she must also want to be like Lara Ray broke through the shackles like this and escaped from the oppressive wild horses. The color of youth, the beating eyes, they yearn for freedom, and the light from youth cannot be wiped out by the world. Religion and the male-dominated world are changing. The last two girls who bravely ran away are like wild horses who refuse to be tamed. Between them, we seem to see the endless cry for freedom in the future. She has obtained redemption, and her redemption is her teacher. The teacher is the light in her gloomy life, the driving force for her escape, and her hope. Perhaps only education can break the ignorance of religion, and perhaps only education can make these young girls break out of the cage. Under the religious cage of ignorance, education is the key to unlocking the cage.
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