after class

Paolo 2022-03-22 09:02:01

It has a very dramatic sense of stage...and a strong national character. Originally, I have a good impression of the island country noh drama, and there is also a sense of noh drama here. When it comes to the favorable impression of Noh, it originally came from Ozu Yasujiro's "Late Autumn". I still remember that after I went back, I found Noh and listened to it. Chocolate sat up and pricked up my ears to listen to the "嘚嘚". Yasujiro Ozu's films also pay great attention to the layout, but they are very comfortable. For me personally, the characters in Akira Kurosawa's film have always been in the center of the screen, the form is very heavy, and it is a bit tired to watch. The wife separated her husband from killing Hou, there is no camera and no one who still can't remember the name, the waiting moment (here is more cinematic) satiated my appetite, and it was very enjoyable, especially the wife had been motionless like a nesting doll before. When the husband killed the marquis, he finally moved, pushing the atmosphere to a climax, and looking at the room sprinkled with "dog blood" was similar to staring into the abyss, echoing the scene where he was about to be attacked and washing his hands at the end of the film, and the tension was full. But the coolness is still similar to the coolness of a stage play. The other parts are really exhausting to watch, especially the repetitive ones, such as the part of walking out of the spider forest to find the castle. In addition, the participation of women in the island country is really high. Seeing the moon symbol, I think of Hu Lancheng's statement that Japanese culture is actually motherhood, and Chinese culture is a male system, which is intriguing. However, similar to the uprising of Chen Sheng and Wu Guang, the rebellion has to be prophesied... At first, the monster part was more attractive. The conversation between the common people and the crow before they were about to do something was all fable, and it was a classic like "Macbeth". the dramatic literature paradigm. Summary: Tired... It's like taking a Chinese class, it's good, but it will say that the get out of class is finally over.

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Throne of Blood quotes

  • Lady Asaji Washizu: I did not stain my hands with blood to forward Yoshiteru, Miki's son.

  • Old Samurai Entertainer: [singing] All of you wicked, listen while I tell of a man, vain, Guileful, vile, Who through ambitious, insolent, Could not escape his punishment.

    Taketori Washizu: Stop the dance!