If it's just for a plot, Samsung. The specific cause of the beach and the role of the coral are not explained. The point is how the director makes an ordinary story appealing.
Structures, Ghost Village, Sixth Sense have similar structures, showcasing the usual to the unusual and revealing later. The revelation in this film is even far less than the reversal of the previous two films, which may be the reason why many people give it a low score.
conflict. The difference from the past is that there is no source of fear like ghosts in this movie. Therefore, in addition to the motivation of the characters, the creation of the horror effect cannot rely on the source of fear, and even because the story structure cannot rely on the boss behind it, it can only rely on the bottom layer - the aging of the characters, and the surface layer - the changes and characters caused by aging. confrontation between.
audiovisual. The methods used by the director here are the same - such as delaying or even not showing the result of the action, the focus of the situation, but there are differences - such as frequent focus movements within the shot, the camera follows the woman's movement combined with the sound to show the deafness, and the moving camera shows the time. elapse. Others include the choice of shallow focus and the lag of focus when standing on a multi-person plane.
figure. There are many characters, and there is no absolute protagonist. The initial empathy of the characters comes from the illness of the body and the last concealment of the children when the marriage breaks down. After that, the focus of empathy was scattered because of shared experiences. The last two children who became adults became the most likely and the only person who could empathize because of their innocence.
story. Because people get old and disappear one after another, the story has become a survivor's game, and the possibility of a happy ending is inherently lost. At the same time, the coolness of the story type comes from the inner needs of the protagonist. It also depends on how advanced and moving the story is. And the last surviving characters are just children at the beginning, and there is no construction of inner needs, so the B story is a failure.
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