The film adopts the method of flashbacks, interspersed with the clues of Jane Eyre and St. John, Jane Eyre and her aunt, and Jane Eyre at school, and finally uses the main clue of Jane Eyre and Rochester to promote the development. The main plot is highlighted
Moreover, this structure has a very good effect on expressing the Gothic style in the novel. Through the interludes, jumps, and arrangement of light, the suspense and terrifying Gothic style in the original work are well represented.
But this kind of flashback is a little weak in the foreshadowing of emotions. We usually use flashbacks in some suspense movies in Nolan's brain-burning sci-fi movies. This structure is very suitable for narrative. Movies, but for the emotional aspect, it may be more natural to arrange the development on a timeline, like "Love in the Trilogy", the three are all around the two protagonists walking and chatting, in a single plot, each movie There is only one time line, and it is natural to pave the way for feelings.
As for the characters, when I watched Jane Eyre before, I thought that Jane Eyre was the light of women, and I didn't pay much attention to Rochester. After watching the movie, when I recalled the plot of the previous book, I would find that Rochester has a very serious machismo. He always stands Looking at love with Jane Eyre from a superior position, and Jane Eyre's understanding of Rochester is only Rochester's one-sided remarks, and Rochester's remarks about the woman in the attic. Did he lie? We can guess, in the end, will Jane Eyre and Rochester really be happy?
View more about Jane Eyre reviews
