Trapped beasts take vengeance on cages, not hunters

Daryl 2022-03-22 09:02:01

It's been a long time since I was stimulated by anything to make my scalp tingle. I can only say that although I was almost scared, I will definitely watch it again and again in the future.

The majestic armor and family letter at the beginning, one is pretending nothing happened after being shattered, and the other is a materialized power distortion narrative history.

Incision is not only a bargaining chip, but also a punishment, it is also said to be an honor, and it is also a moral requirement.

The shame of the bushido and the honor of being incisive in the mouth of the old man were combined into a body clip, and together everyone who entered the clip was crushed to death.

The so-called "begging for a woman with nothing to do" actually implied that he could only be matched with his own life. In the context of the film, the morality of the so-called Bushido would inevitably push him to the belly.

When I was watching the movie, I was actually waiting for Jinyun Hanshiro's death. In my heart, I always thought that he had several options. He took the initiative to obediently cut his abdomen, chopped Yu Lao in revenge, and chose to kill himself. In the end, Yu Lao did not cut it, and fell off an armor without damage. He still took revenge on Bushido within the logic of Bushido, and Yu Lao acquiesced in killing the ronin with a musket, but it showed that he did not protect the spirit of Bushido with his own life. A man who keeps asking others to obey the noble Bushido spirit does not believe in Bushido. The highest revenge of an anti-Bushido rebel is still the symbol of breaking Bushido. Still trapped in what he hates after resisting. The trapped beast finally bites the cage, not the hunter.

I hope Jinyun is another way of self-termination, rather than cutting the abdomen.

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Extended Reading
  • Priscilla 2022-03-21 09:02:10

    "Today's fate of others will be your own portrayal tomorrow." Use a storytelling movie to shoot the storytelling; use the warning issued by the protagonist to warn the audience in front of the screen; use the smashing armor that symbolizes faith, come Expose the pretense of a ruthless government... If Bushido is just a facade, then war and peace are nothing but lies and deals; if experience is the best teacher, then the deepest human experience is the lesson of history. Therefore, after the Great War of Sekihara corresponds to the after World War II; and this film is an out-and-out political thriller. In the end, the wind blows, the weeds dance, the sound of the piano is bleak; the knife sees blood, who can see the vague truth? Perhaps all we can see is a new era in which the world is peaceful, the four seas are peaceful, and even the wind will not blow the leaves.

  • Chelsea 2021-12-22 08:01:08

    #重看# A perfect interpretation of the so-called combination of movement and static, movement is like taking off a rabbit and quiet as a virgin, between Zhang Chi and awe-inspiring killings, clamoring with gold and iron horses, swallowing thousands of miles like a tiger, silently thundering in the deep depths of the darkness. The climax scene is a fighting scene of violent grass. The sound of the wind rolls over the grass waves like thunder, the clouds are pressing on the top, and the tilted composition is like death possessed. Tatsuya Nakadai opens his arms to embrace the wind in his arms, and his face is solemn and solemn like a sculpture. It is worth remembering. The moment of film history. There are subtle similarities between the script and "Rashomon" and "Seven Samurai", the truth and misunderstanding of the retelling, the helplessness of Bushido's decline and death (but the final solution is a gun), and the armor that carries the ghost of history is like a façade. The skin of nothingness was finally lifted and shattered. Both the setting and the performance have the style of theatrical drama, with a sense of ceremonial solemnity, which meets the need to "cut the belly" in the spirit of the samurai. This is a contest between the glory of the facade and the supreme dignity of life, and the written history has always been arrogant. smear. His soul had come back, and gently opened the door just to say goodbye.

Hara-Kiri quotes

  • Hanshiro Tsugumo: After all, this thing we call samurai honor is ultimately nothing but a facade.

  • Hanshiro Tsugumo: The greatest delicacies taste of nothing when one dines alone.