This entanglement is really long, sacrifice, I still can't understand it.
The final conclusion is: nothing is unmissable, and the information that cannot be grasped is harmful to oneself.
Some things, I think, are not created to be understood.
The large mural was born on the wall and grew up in the tall church. From such a distance, it is not bad to see it clearly, let alone understand it.
Of course, you can also take it off, print it, and hang it up, but there is a glass block in front of it, which is always separated by a layer.
This is how I feel about sacrifice: it's always a layer apart, just like the protagonist and the postman, when they turn around, they're already behind the door.
I don’t know which one is more outrageous if I don’t understand it, write it down or take down the big mural, but if someone picks up the mural, I should be able to write my subjective thoughts.
In the picture at the beginning of the film, an old man finds something from a woman and a child, and he is grateful. I think this is the main plot of sacrifice.
Of course, all this has been fixed. The painting is of Da Vinci's doctor coming to worship, and the painting is of the Virgin and Child and the doctor, corresponding to the maid boy and the protagonist.
Think of the birthday present from the boy: a small house that can't hold people, so it can't hold hatred.
The little child can't carry water, but he has to carry two buckets. Then he began to speak, and the dead tree sprouted.
Think of the maid's exhortation and blessing: it's too humid, go back quickly. happy Birthday. Don't look away, look forward again, turn around and melt into the fog.
One floor away, I can't read it, but I think the sacrifice refers to the maid.
My favorite is the sacrificial outdoor scene: grass, paths, dry trees, a man on a bike and nature laughing.
I could even recite the first few shots, but that was the limit of my comprehension.
From the reasoning, I don't like the interior scene so much: there are so many people, so many words, I can't analyze it.
But it doesn't matter, the film burns down the house at the end, a fire, ten minutes, a beautiful house.
For an artist like Tarkovsky, we have to try to understand his expression.
I still believe that, but now it's more important to learn to let go. With awe, ignorance can be a valuable experience.
I will encounter more and more sacrifices and feel more and more helplessness as I continue to seek.
View more about The Sacrifice reviews
