A lot of political metaphors, a very shocking way of moving the mirror, a very magical experience, a very beautiful Adjani. The first time I saw it, I didn't know much about the director's background, and there were still many things that I didn't want to understand. The only clear idea is that when the male director wants to use the experience of women to refer to the disadvantaged, the possessed, and those who have lost their main position, and to express his position, he obviously lacks imagination about the experience of women itself, so he always I feel that the story itself is relatively naive and rigid. The female characters have very tense performances and very full emotions, but they don't have a good enough motivation to support them. Oh, it's another story of an old crazy woman, a story of a woman who was conquered by desire. , just, um, pretty boring. It's cliché to ignore real women in terms of madness and lack of desire, and it just doesn't fit with the film's edgy and very idiosyncratic form. In any case, no matter in terms of text or shooting form, it is a good film worthy of careful study. I was so impetuous that I just wanted to be stimulated and pulled me to the sofa to think about it. It was a good experience.
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