The most interesting thing about Hollywood is that he has all kinds of movies, just like there are all kinds of people. The World War II movies include Quentin’s fierce and shameless bastard, and Clooney’s gentle description of this allied army. The Raiders, I think they have their own advantages.
The scenes of World War II in the film can be seen that it took a lot of manpower and material resources. Usually this kind of vision has long been in the smoke, and it’s a life-and-death, but no, Klunik system, because he knows what to say and who .
It raises a very important question: how do we treat our cultural traditions? I don’t remember the lines very much, but the effect is: Why do we protect culture? If human life is more important than art, why should these people give their lives to protect it? Clooney replied that human beings have grown and multiplied for generations, but as long as their culture is not eliminated, they can continue to pass on. As an ordinary example, if there are no Western techniques such as drawing, perspective, oil painting and color, can we still see 3D cartoons? The drawing techniques of these cartoons are derived from the technical and artistic heights created by the Western Renaissance masters. We modern people can use technology to make a difference on this basis. Is the color tone of the film we see borrowed from oil painting, so that it can be so beautiful, ordinary people just take a mobile phone to shoot? We don't even want to look at the real picture without processing it. Western history and culture have no faults and have always been in this tradition, so this film is knowledge and reflection for themselves.
Finally, borrow a passage from John Berg's "The Way of Watching" to end this film review:
A nation or class that has been cut off from history has a far less right to choose and act freely than a nation or class that has always been able to place itself in history. This is why—and this is the only reason—all ancient art has become a political issue.
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