It's not that there are no advantages, there are still some qualifications. No matter how many layers of narrative, things are still explained to you. I think the core is not love, or the main line of love covers our eyes, regardless of being a female director, I still know how to play this set.
We have all seen the main thread, so we will briefly talk about it here. It's really sad to follow this mystery. In the end, it's all about love. May died for love and conscience. Uncle Wolf soaks his life in water for love. The assistant helped watch Uncle Wolf soak in water for love. The love here is very touching. It is indeed as Uncle Wolf said: "Sad ending." Even the killer was shocked by this kind of love for a moment. He didn't react until May said Nick's name. When Uncle Wolf finally found him, he also tried to retrieve this beautiful memory, and he didn't have a machine, so he spent money manually.
Then I can't help but ask, who would be immersed in the beauty of the past and unable to extricate themselves? The one who is not having a good time right now. In other words, not all people are so happy. So all crazy addicted to the past. Although this choice is understandable, it has to be admitted that it is a profound escape. Finally, focusing on the ending of love and guarding love hides the theme behind it, which is escape. Escape from all reality, the unsatisfactory moment.
The film is set in the aftermath of the Great War and rising sea levels. Don't think that the background of this sci-fi is separated from the main line, this is a huge dark line. Because of the rising sea level, real estate developers have to increase prices, because there is less and less space, less and less. Isn't that just a price increase? Then people run away. to refresh memory. It's like people lining up to go to the movies during the Great Depression. Keep looking back at the past world. Implying that the whole world lives like this. Only later did I find out that there are actually very few people who have the courage to face a bleak life. Most people naturally choose to escape and choose happiness within reach. The film emphasizes the nature of this escape, which is not fundamentally different from the drugs that Azu sells, the frantic brushing of memories and alcoholism. All people are escaping the present and yearning for the beauty of the past. Including all the villains, Azu and the black police are.
But in this world that is bound to gradually collapse, the director still gives an optimistic answer and hope out of the kindness of women. One is reality and the other is fantasy. The reality is this: the sea will inevitably submerge everything. So that little white haven that May talks about is the future. We should find a way to raise it, instead of building dykes down, lower than sea level, and sooner or later it will end. Before falling asleep, Uncle Wolf encouraged the assistant to face his life and fight for it. It was also a positive choice on a practical level, and it worked. Choice in Unreal: Like Uncle Wolf. I would like to live like this. also.
In short, whether it is the amazing Azu bilingual, or the more than 50-year-old Uncle Wolf is still forging ahead. This movie is not as bad as I imagined. It's okay to look after love. It should be seen clearly that escaping cannot solve practical problems.
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