At the age of forty, the South and the North are in the middle of the war, an industrial park is the master of the house, and a wooden house is settled.
Looking at Carmen Mongkok, time has passed twenty years. The teenage boy burst into tears in the shadowy town theater.
I dream of being a big brother, like the movie Brother Hua, and looking for a younger brother like a fly.
Rivers and lakes, vague and looking forward. Beside a small river, my heart is like sea water. The memory can't be too far away, and I want to dream back to the young man.
Brother Hua and the fly in the movie always have a fearless young man holding a sharp knife and a pistol in their hearts, and they are unrecognizable on the streets for loyalty, brotherhood, dignity, face, and rivers and lakes.
Unrecognizable doesn't affect Brother Hua's bloody handsomeness and flies' frivolous frivolity. A boy who bleeds on the streets, a youth whose fate is shaky. One knife and one shot pierced Fate's throat.
The goddess of fate always favors young people, and fatigue strikes after a brief passion. Generations of big brothers in the rivers and lakes have become famous in the fight on the streets, and there are countless dreams of the rivers and lakes that are swallowed by the bites of flies and insects in the blood.
Back then, my sworn brothers used their blood to kneel down and worship for the alliance. Not asking to be born in the same month in the same year, but to die in the same year, the same month and the same day, roaring in unison, for the sake of youthful frivolity and unruly dignity, in fighting and killing the precious youth in the eyes of the world, it is an eternal youth story in our hearts.
Mong Kok Carmen, the memorial of the brothers' years, the amazing time passed.
Just like the stunning Maggie Cheung who played A'e, the opening was ambiguous like a taboo. Every breath and every breath is the taste of a girl's enlightenment, and the male and female protagonists are looking for irresistible temptations with tentacles like ants.
Twenty seconds of mad kissing scenes, no erotic desire, but wet the boy's body. Running all the way to sleep together all night. Maggie Cheung's amorous feelings pervade in the lightness and lightness of the understatement.
The real love story of Maggie Cheung and Andy Lau has always been a mystery. The picture of A'e kicking Brother Hua with a hook on the beach has always been a classic moment of love in my heart. Even Wong Kar-wai should not have come up with such a script.
Maggie Cheung's international style, Andy Lau's private love. The lovers on the screen are looking for uncrossed real love in reality.
Thinking back to the small town girl in the past, I still have Maggie Cheung's visual sense. The love story of first love is ignorant and ignorant, but it foils the young and frivolous back then.
Brother Hua in the movie ran away handsomely for the sake of the flies and didn't look back. A'e held back her tears and sighed.
In the final parting, Maggie Cheung used a long-lens close-up to achieve a classic picture that can never be copied. Maggie Cheung interprets the best tragic love story at the best age.
This long shot has long affected me that I once thought that the most beautiful attributes of love are short-lived and unforgettable. Later youth, later time. Growing up step by step, gradually forgetting and forgetting.
Postscript: After four in the morning, the city was locked down by the new crown epidemic. My wife was sleeping in the city, and I was listening to insects in the park. A marriage without love is doomed to be a tragedy in life. Fortunately, fortunately. Madam give me my last love.
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