The following comments are only based on personal preferences. The whole process is subjective. If you don’t like it, don’t spray it. There are too many broken comments.
It's three and a half stars overall. I watched it for the sake of fame. I can only say that it's a pity to abandon it. I wanted to abandon it for a while, but after thinking about it, I finally watched so many episodes, so I insisted on watching it. I like to watch fights. Accessible.
The real name objected to the high praise short comment that said it was much stronger than Gui Shui. Recently, I added two films together. My personal taste, perception and rhythm are really not as good as Gui Shui.
First of all, in terms of character creation, Tanjiro and Kuzhang Yuren can be said to be typical young man characters, upright and righteous, and some holy fathers. But Tanjiro's kindness is not annoying, and his compassion for ghosts runs through. This kind of kindness that really knows empathy and empathy can make the audience empathize. But the tiger, righteousness is righteousness, integrity is integrity, but the character characterization is too routine and templated, and I don't find any character traits that people particularly like. It may be due to the different worldviews of the two stories. I thought that Ghost Slayer's portrayal of the villain was much more profound than that of Spell, and that more space was spent on character creation than Spell, and the main characters were also portrayed more than Spell. profound.
The second is the rhythm. Zhang Youchi is the best rhythm for a work. I don't know why the audience is so obsessed with fighting now. Personally, I feel that the arrangement of the spell fighting is too compact. After watching 24 episodes, it is no exaggeration to say that the fighting scenes account for three-quarters of the total. Basically, two episodes are a small fight, and three episodes are a big fight. I'm really tired to be honest.
Arranging so many fight scenes, it's cool, but you can't let the audience keep a tight string and follow such a fast rhythm. At the same time, this also means that this work is destined to be compressed in terms of daily character creation, and the plot is really weak.
In addition, I personally feel that this complex world view setting and the professional terms that will collapse every few episodes really affect the understanding of the plot by ordinary audiences. Not to mention a lot of private goods entrained, there are a lot of stalks and jokes that only Japanese people understand, and translations must be annotated. It is not very friendly to ordinary audiences who have not seen the original comics. Anyway, I generally like these stalks. The get is not too good, and the personal perception is not very good.
The last point is understandable, that is, when fighting, the smooth movement of the action is too much pursued, but the character's expression and the collapse of the picture are ignored. Maybe in the case of so many fight scenes, the two can't have both. Anyway, when I watch fights, sometimes I suddenly see a close-up of the protagonist's face collapsed, and my heart is really stunned. . . Maybe this is one of the reasons why I always wanted to be the villain instead of the protagonist. At least the ones designed for the villains are pretty ugly, and the collapse is also in line with the character 2333
The style of mappa may really need to adapt. . . Personally, I don't like it very much. When I watched the final season of Giants, I felt that the lines were too hard, so I painted Mikasa as a man. However, there are times when the paintings are good-looking, and I also cut a lot of pictures during the viewing process.
There are few works that can make me stand as the villain so firmly and don't like the protagonist very much, which is also amazing. After reading the whole article, the villains like the suture monster the most, completely because of their personal characteristics. Too bad it's just a joke. I reflected for a while, and felt that it might be the weak presupposition of the plot and character creation that gave me too strong a psychological presupposition.
First of all, this trio can be said to be inexplicably brought together, and there is no emotional foreshadowing. Then after two weeks, about a few episodes, they were separated again. There must be about seven or eight episodes apart? I don't remember very clearly, this part is completely the male lead's own personal growth. Later, after they got together again, they basically went into battle quickly, and they didn't spend too much space on the lighthearted and humorous daily life, which made people feel inexplicably fettered, inexplicably deeply emotional, inexplicably born and died, and inexplicably escaped.
In fact, I was a little unhappy at the beginning when Fu Hei left the knotweed Yuren running. Although it was voluntary, but after that, Fu Hei was the psychological presupposition that reason is more than sensibility. And then, after Hu Zi's suspended animation, the two of them behaved quite indifferently, and the statement from the wild rose that I only knew someone for two weeks made me suddenly realize, really. Originally, there was a little detail about Briar's crying that moved me quite a bit, but as soon as I started to be moved, the new characters in the second grade began to play happily one by one and interrupted my emotions, so it was very sudden. There is really nothing wrong with starting from the role, but it is just a friend who has been recognized for two weeks, and there is really no need to be sad for too long. But from the perspective of me, who has always been in God's perspective (partial male protagonist's perspective), it is quite difficult to describe. Moreover, near the end, Fu Hei solved the simple spell spirit by himself and let Hu Zi solve it powerfully. Maybe it was because of his recognition of Hu Zi's strength. . .
Then watch it with such a psychological presupposition, every time the protagonist and the villain fight, he always cheers the villain on the whole process 2333
The most popular of the whole work should be the teacher Wujo, the strongest halo of human beings, plus handsome facial close-up, exquisite facial contour, long and thick eyelashes, interesting personality and the contrast between daily life and battle are cute, living a contemporary human high Quality men, it is difficult not to let the hearts of many girls.
But the first season of the animation did not explain how he became the strongest human being, but was good at making him pretend, letting him appear at a critical moment, and letting him solve the enemy with one move. Creating such a near-perfect character actually gave me an unreal feeling that I couldn't like it. I hope that I can dig out more of Wujo-sensei's past experiences in the later stage.
I want to see the process more than the result.
Personally, I think that from the perspective of character motivation, the motive of the ghost extermination male protagonist is much deeper than that of the cursed male protagonist.
In the first episode of Ghost Extermination, the male protagonist encountered the bloody feud that his whole family was killed by the villain's big boss, and killing the evil ghosts in the world naturally became a matter of course. What's more, he still has a trace of kindness towards ordinary ghosts in his heart, and only deeply hates the villain boss who destroyed his whole family.
But the male protagonist of the spell, just because of a last word of his grandfather, is willing to give his life for a stranger who has only met once, which is somewhat unconvincing. In the future, the removal of the curse spirit is only out of his own sense of justice, but the motive of protecting human beings is also sufficient, but it always feels that it is not that deep.
(Maybe this kid was born with an axis? hh)
But it is undeniable that the overall quality of the spell is still very good, but I don't like it, but it does not prevent it from being liked by many people now, and will be liked by more and more people in the future.
(ps: Because the two films are always compared together, I want to analyze them from the perspective of personal preference. There is no meaning of stepping on them. The comparison is also made because of the feeling of seeing other people's stepping on comments.)
above.
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