1 At the beginning of the scene, the camera surrounds the furniture, and I slowly go downstairs. I like the narration of the female protagonist. Some of the topics covered in the driving section were interesting too, but that didn't stop him from getting long and boring.
2 Guess this is the spirit of the male protagonist. The female protagonist has a strong feminist ideology while containing part of the spirit of the male protagonist. She describes three versions of the scene where she meets the male protagonist. I prefer the last version to be her real thoughts, but it is not ruled out that she is angry talk. On the whole, the heroine should be the spiritual projection of the hero (the names of several phone calls are really interesting), which combines self + ex-girlfriend. So is the heroine's mood also a reflection of the hero's mood? Endured to the limit of irritability, and finally separated.
3 metaphors, echoing, I don't understand movies and operas. To borrow from the heroine, I hate metaphors.
Is the theater at the end of 4 a personal reconciliation? The director was led out by the pig, and everyone had gray hair. After listening to his acceptance speech, they watched him perform and applauded the first few women who stood up first.
5 Favorite scene after parents show up. "I" became time passing through them, but it was "I" who was actually trapped. A few shots here are particularly interesting. The parents, the dog, and even the heroine herself all look weird.
6 discusses the relationship between the sexes, parents and children, and self-awareness.
7 Psychedelic
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