Realistic anti-genre road films The second half is mostly a jumping point of view expression rather than a narrative anti-hero anti-story Double monologue leads to chapter-style deconstruction expressionism to express the different shades of boring reception (bringing out the American point of view Movie is war and emotion) Car Inner studio shooting with awesome light and long shot: (surreal pioneer drama-style scheduling) Rough room space uses space to show the progress of time: the camera follows the male protagonist from the room to the living room table, fiddling with the gun, walking into the direction of the female protagonist's bed and bringing out the dead The husband took out his pocket, the heroine saw that someone came to open the refrigerator door and threw the wine in the refrigerator to the man who hid behind the refrigerator door. Entered the room and went around and took the book in the hand of the heroine. The heroine went behind the camera to get the wine and put it on her husband's head. The husband was dragged away by the hero. (Overlapping monologue lines) (interspersed with pop and oil paintings) The three action timelines after the murder are chopped and reorganized (get on the car - go out - drive - get on the balcony - get off the balcony - get on the car - drive - the heroine finds the car and gets on the car - drive ) In the first half of the Wenqing version of Bonnie Clyde, the male and female thieves wandered around the world to join the interview space (cheat money)
Flexible Use and Insertion of Music (Car Stealing) Distancing and Reflexive Masters: "Who Are You Talking to" and the Audience "Driving into the Water Against Order to Escape Modern Diseases"
Conflict: Ideals and Life Words and Music Thought and Life Stimulation
The male protagonist performs the old man alienation to the camera (outside of the female protagonist)
Begging for money in a drama (Yankee and Vietnamese woman)
Female Lead With Musical Attributes Long Shot Seaside Woods Dance (American Hippie Value)
(Then the narrative is greatly reduced and a little bit incomprehensible) The two people separated and the failure of the rescue Watch the reflexive game-style killing of the Vietnamese news movie The real time of the 137-second countdown to the continuation of the port is the lunatic who is fed up with the boring marriage
Ending Destruction and Self Destruction
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