I think this movie is OK in all aspects of a thriller, and the rhythm is also good. Anyway, I still feel quite immersed in it. The horror wax museum is also worthy of its name, and it is indeed quite scary.
I'm numb to visual impact, but my sense of smell is very sensitive, so I'm prone to nausea when I smell some unfriendly smells. I remember when I was in high school, I almost vomited when I smelled the smell of a boy in the stairwell. The most irritating thing was that this guy ended up being my tablemate, and 10,000 grass and mud horses galloped past in my heart. But this guy isn't that bad, he just doesn't like cleanliness.
When I saw the corpse pit, I was also a little afraid to breathe. The stench of the rotting corpse was afraid that it would kill people directly, and the heroine fell into it. It was really exciting. I'm afraid I've already burped my ass when I smell it, and I don't have any more to say.
I think the idea of this movie is very good. It uses fake wax figures as horror elements, combined with the bizarre talk of conjoined babies, and the horror of using living people to make wax figures. The whole is still very interesting. I checked the information, and it turns out that this appalling method has already existed in reality.
In 1789, in this year, the frenetic "French Revolution" just kicked off. Countless royal nobles on the guillotine were headed to different places amid the cheers of the surrounding people, and one after another, the heads rolled down in the blood and mud. Many heads were hurriedly sent to the house of a wax figure artist, Mary Grauschultz, to be made into "death masks". The so-called "death mask" is a long-standing tradition in ancient Europe that uses corpses to record the appearance of the deceased. This technology has been around since ancient Egypt. Pharaoh Tutankhamun, the protagonist of the famous "Pharaoh's Curse", handed down his golden mask. From Julius Caesar to Washington, the faces of the greats of history when they died have been passed down from generation to generation in this way.
Marie Grauschultz was later known as Madame Tussauds. The death masks of Voltaire, Rousseau and others were all made by her.
In this revolutionary storm that swept across the country, as a royal craftsman, she was thrown into prison early, awaiting execution. In the end, sheer skill saved her from dying. Madame Tussauds reached an agreement with the revolutionaries, and was responsible for making death masks, which were the "fruits of victory" of the revolution, of the heads of nobles that were continuously sent. In 1835, Madame Tussauds opened her first wax museum in Baker Street, London. Among them, a House of Horrors dedicated to displaying the mutilated limbs of the victims of the French Revolution was set up.
I heard that 20 tons of wax was used for the filming of this movie. But I'm thinking isn't the temperature high after the wax is melted? Why is there no burning sensation when touching their skin? Inexplicable.
When I saw that the heroine's boyfriend was still alive, he was directly made into a wax figure, and his eyes were still rolling, and I didn't know what that feeling was. A stab in the face directly dented, and when the belt was pulled, a piece of flesh and blood was thrown away. He used his eyeballs to signal his friend to be careful behind, but his friend didn't see it. It was too late when he reacted. His friend avoided, but the knife slashed directly into his face, and a piece of meat disappeared and leaked out. Sensen white teeth, rolled his eyes, and stopped moving. When I saw this, I laughed unconscionably, I really regarded horror movies as comedy movies.
The heroine is gradually caught up in the process of escaping for her life, which is too visual, because I have experienced this feeling of being unable to escape the pursuit countless times. She knew she couldn't escape, but she still broke into a cold sweat for her, and rejoiced in her heart.
I don't know why, when I watch these horror movies, I always think how should I deal with this situation? I don't like it, but I can't help thinking about it. The most important conclusion to draw is to be calm and then observe. Calmness is the first element. After knowing cessation, there is tranquility; after tranquility, one can be tranquil; after tranquility, one can be at ease;
No matter what happens, the first thing you need to do is calm yourself down, and then try to solve it immediately. It is really impossible to accept the reality. In this way, even if you are about to die, you can face it calmly, instead of letting yourself be trapped in emotions and unable to extricate yourself.
I no longer have a fluke in this world, and I no longer fantasize about any special exceptions. It is not only luck that can make a person live well. If you don't have the ability to make yourself rich, you must have a mentality that can make you see and understand. This is also a kind of ability. I know that my ability to make money is indeed limited, but fortunately, my mentality is relatively stable now, so I can still seek progress in stability.
A bad process may not necessarily lead to a good ending. Holding the illusion that it will be good in the future is simply a chronic suicide. It is better to recognize the joy of reality. Although it is indeed painful, it is better than boiling a frog in warm water. No matter what I say, I will no longer deceive myself. Even if I reach a big threshold, I will not deceive myself again. The big deal is to die. Death is much better than living in a world of lies that will be exposed one day.
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