"The film I am after must be the joy or pain of making the film. I am not interested in anything other than that." ---François Trüux, representative of the French New Wave Fu
In my opinion, the most admired filmmakers are always those who control the overall planning as a director and write stories as a screenwriter. And these filmmakers with two roles, just like what Truffau said above, it’s easy to have one or two works in a long career that describe them as if they wanted to tell the world the true colors of their favorite industries. Life behind the camera. For Truffaut, this work is of course "Days to Make Nights" which he wrote, directed and acted. Looking at the contemporary filmmakers, after finally getting the long-arrear Oscar, Martin Scorsese brought us a love letter to the film "Hugo"; another example is Paul, who was born and raised in the San Fernando Valley. • Thomas Anderson, who has been curious about the porn industry since he was a child, brought the chaotic masterpiece "Boogie Nights" about the golden age of the American porn industry when he was 27 years old (I really should find time to write well Take a look at this movie...); Quentin Tarantino, who has an encyclopedic knowledge of movie history, is indispensable. His endless tribute to movie history in "Inglourious Basterds" has been talked about by fans. It's endless.
As one of the best contemporary filmmakers, the Coen brothers are of course unavoidable of this unwritten custom. As early as twenty-five years ago, from the perspective of screenwriters, they brought to everyone "Barton Fink", which satirizes Hollywood's rigid self-use but not innovation. Many fans think it is their best work, and they are obviously quite satisfied, and even plan to make an exception to write a sequel to the tragic screenwriter Fink when they are old. However, they are not old yet, but they have other things to say about Hollywood, so there is this "Long Live Caesar".