The Demon King seems to be played by a singer, but I don't really appreciate it. It feels like the rock inserted is a bit ruining the overall atmosphere.
I appreciate that this film is the ingenious set and detail concept of the 80s.
Especially after entering the maze, many dialogues, plots, and structures similar to Alice in Wonderland are often completely different from reality.
There is also the alternation of dreams and reality.
I think the screenwriter should be a wizard.
There are also some puzzles. It involves the issue of paradox.
And the last labyrinth palace. To be honest, the first time I saw this expression in film and television, isn’t it the kind of strangely structured labyrinth in Escher’s pen? The
American filmmaker actually made a movie mainly for children. Constructed in the movie of the audience's main body.
In this regard, I think the harvest this film has brought me is extraordinary.
I think Escher’s labyrinth is also Borges’ labyrinth. Maybe this film unintentionally expresses some magic, but maybe it is the real structure of the universe,
Terry Jones, turned out to be the scriptwriter of this man. Just look at what works he has.
I think the magic of the British is actually a more true philosophical expression. Ha ha.
I have to go to Britain if I have the chance.
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