How hopeful is life, how desperate is reality

Otha 2022-03-22 09:02:44

It took several days to read it. It’s a feature film, but it’s actually a bit like a documentary, even more realistic than a documentary, basically restoring the rhythm of real life.

After watching "The Whale Circus" and "The Horse of Turin", I am basically familiar with Bella's narrative technique and expression style. The black and white, super-long shots, and slow narrative realism originate from the deliberate expression of restoring life to life.

The characters in the movie basically give people a similar look and feel: ugly, corrupt, dirty, boring, hopeless and even hopeless, and often repressed to the point of nausea? This "Satan's Tango" is even more so!

There have been frequent incidents recently, and many people's soul background has been exposed one after another, and they gradually feel hopeless about the ugliness of human beings... Maybe the fundamental meaning of life is only reproduction and evolution. How many souls can purify and ascend? less and less optimistic.

I don't necessarily like Bella very much, but the feeling after watching the film is so strong, profound and haunting, which shows how profound the director's artistic expression of the depth of perception and cognition of life, especially the time and space where the director is located.

It is true that it is basically difficult to swallow such works without sufficient age and experience and familiarity with the system.

I cut a star because I didn't feel very comfortable after watching it. Why not have a half-star design?

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Extended Reading
  • Marlene 2022-03-27 09:01:19

    The "people" in Beratar's shots are worth noting: different from Tarkovsky's position that people are equally regarded as one of the "objects", his eyes on people always seem to be divided: on the one hand, the film The characters and their relationships play a more or less central role in the allegorical/metaphorical nature, while the camera, on the other hand, is repeatedly moved away from the characters, either causing the action to take place off-screen, or simply focusing on On the one hand, the characters are flat and symbolic, on the other hand, the camera is obsessed with capturing their hypocritical "everyday"; in his works, there are never any human characters, and the gaze on them always focuses on their An animal rather than a human side, so the characters are always reducible, born only for concepts, which at the same time puts the meaning of the gaze in jeopardy - in short, the gaze is inhuman and loveless. Leaving aside the long-shots that baffle the necessity of shifting perspectives, the film's most laudable feature is the circular structure of text organization - but is this structure literary or cinematic? It continues to leave us with lingering doubts.

  • Kaya 2022-03-27 09:01:19

    Bella Tarr is probably the director who can shoot the walk best, and the momentum spews out with the pace of the characters. But is this really too long? Persistently read it, I don't think it is too necessary.

Satantango quotes

  • Százados: Not that human life was so highly valued. Keeping order appears to be the business of the authorities, but in fact it's the business of all. Order. Freedom, however, has nothing human. It's something divine, something... our lives are too short for us to know properly. If you're looking for a link, think of Pericles, order and freedom are linked by passion. We have to believe in both, we suffer from both. Both from order and freedom. But human life is meaningful, rich, beautiful and filthy. It links everything. It mistreats freedom only... wasting it, as if it was junk. People don't like freedom, they are afraid of it. The strange thing is there is nothing to fear about freedom... order, on the other hand, can often be frightening.

  • Futaki: I shouldn't drink. When I do I keep thinking of coffins.