"Identity Thief": The American version of the ruined three views is on the embarrassing way

The middle class who was originally a successful family happiness business, but because of the stolen credit card, not only lost money overnight, but almost became a criminal suspect under investigation. Asking the police for justice, but was prevaricated by bureaucracy. Seeing that the job was about to be lost and the family was in an economic crisis, he had no other choice but to become wise. He decided to go thousands of miles away to catch the real culprit and confess to the police to exchange his innocence and recover the money. And the fat sister who squandered thousands of miles away is not a good kind, and won't be able to be dispatched casually. The male protagonist uses both hard and soft force all over his body to finally tie the fat sister together, starting a horrible, non-dangerous and interesting person on the embarrassing journey.

The film is a new comedy by Seth Gordon, the director of "The Evil Boss", and Craig Messing, the screenwriter of the comedy series of "The Hangover" and "Scream", written by veteran comedy star Jason Bay Terman and Melissa McCarthy, a fat beauty, join forces. Originally, the card thief started to arrange for a man to change into a fat sister in order to make a smile. It is conceivable that the feces, urine and fart bridges are indispensable, and there is no lower limit to the destruction of the three views. If you don't reject those who come with this taste, there will be another delicious feast. If you can't do anything about fat women at all, you will sneer.

Once upon a time, American-style humorous drama was reduced to taking shit and piss as a mainstream fashion, sweeping the world with a posture of not being disgusting and never letting go, and also admiring countless fans with the wind, which is not pessimistic and disappointing. Recently, after reviewing Chaplin's "Modern Times", I can only find some of the comedy feeling of the innocent age. Fortunately, the master left a lot of comedy standards for future generations. Otherwise, how can the future generations bear the favor and how to withstand the era of the flood of three customs, thinking that the world was originally a mess. I just don’t know how the masters would look at the current American comedy style if they wanted to be knowledgeable. Unfortunately, the master is no longer able to "declare war on Hollywood" as he did in the past!

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