This is also very beautiful, the aesthetics are first-rate, the simple two-dimensional hand-painted animation is much better than the current Sino-American three-dimensional animation in the composition, color, glossy lines and stripes of landscape characters: the first is a delicate and gorgeous Baroque painting Wind, in the depiction of the opera hall and the boudoir, even the purple marble columns in Afghanistan are exactly the same; the second part is an ancient and homely painting style, but if you look closely at a plane, a suit line that is not appropriate for a social animal They are all uneven and decent, with an elegant, restrained and humble beauty, not to mention the large swathes of flowers blooming before the plants die and the locust-like fighter jets arrayed in front of the tunnel (a bit like the first episode of the Giants season 104) jumped from the city wall. and the image of falling from the sky); the third steampunk very imaginative combination (I am most impressed by the after-get off work residential buildings that are obviously the buildings of the British Industrial Revolution but piled up in the way of the Blue Mosque).
As for the story itself, I really like the deconstruction of the first two stories. The first is the cyber ghost. The scholar was in the wild temple with the beautiful Yun Yu. The next day, pedestrians found that it was a rope set by the ghost to attract people to hang. Among the most stinky weapons, a person, a briefcase, and a battery car resist the whole world in order to complete their mission. It unfolds in a sad and angry heroic mode, but the core is a social animal performing the boss's task, and this social animal still stinks! Very absurd. Cannonball Street is too straightforward and I don't like it that much.
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