August Rush

Dorris 2022-03-21 09:01:59

The whole film has a very strong sense of picture, it is about the musical journey of a genius boy,
but the whole film gives me the feeling of a genius.
What it tells us is that this is a genius, you can watch it if you like, but this is a level you can never reach. I think that's where the whole movie fails the most.
The life of genius keeps us from getting this movie into our minds.

However, the OST of this movie is still very good. The first part of the second Bach&Break of the OST does not have a perfect connection between the classical and rock parts, but it is this defect that makes this song very good. The vocals of the lead vocals stand out quickly after the cello, and the rhythm guitar and bass make this song even better. But the most outstanding part is that the cello is added in the climax part, which makes the song more powerful and clearly highlights the charm of the whole song.
Dueling Guitars is a song that perfectly combines modern ballads with fingerstyle. In the front part, one ballad and one fingerstyle play is like a father and son whispering a little secret between them at night. Then in the latter part, the two playing techniques are combined, and the speed is accelerated. Just like when the father and son talked about the happy place, they couldn't help laughing and were very happy. The music also became very light.
August's Rhapsody is really good. I'm not a classical music lover, I usually only listen to Hisaishi's modern atmosphere, or classical music that can make us understand a little bit more. But this symphony incorporates a lot of natural, artificial air. It speaks classical music, modern classical music, and singing together. Especially in the singing part, I especially like it, with the quiet childish voice gradually pushing the song to a small climax, and then immediately quiet down. Enter a bland but very romantic part. Seems to let us see the joy of the three of them together, it's beautiful. At the end, the voice of the little male protagonist reappears. This quiet feeling is like the beginning of the film, and the little male protagonist is enjoying himself in a reed.
I also like Moondance very much. The male lead singer's magnetic voice is reflected in a delicate and romantic way under the foreshadowing of harmonica and guitar.

In general, I still like this film, but because of some of the factors mentioned at the beginning, my evaluation of it is not too high, but I still recommend some friends who like music to watch it.

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Extended Reading
  • Aimee 2021-12-12 08:01:15

    Such a vulgar story made my heart tremble and my nose sore and sore. Sure enough, love and music are indispensable. If you are more compact, you will get full marks!

  • Dagmar 2022-04-24 07:01:07

    Unexpectedly, unexpectedly.

August Rush quotes

  • Louis Connelly: [talking on his cellphone while getting into a black Cadillac] I've been doing this for ten years, Bob, we said ten percent. No, we said ten percent. yeah, well it makes the world go round doesn't it, Bob? just get me the ten percent, will ya, man? thanks

    [sighs and pinches the bridge of his nose]

    Nick: [unoticed by Louis] Can I get you anything, sir?

    Louis Connelly: Do you know any hitmen?

    Nick: I know a bass player. Might be able to help you out. Likes to get into fights with lead singers.

    Louis Connelly: [freezes] Nick? What're you doing here, man?

    Nick: Still drivin', payin' off those weddin' bills from last year.

    Louis Connelly: Oh, fair play to ya, oh, she's a nice girl.

    Nick: So you playin' at all?

    Louis Connelly: Nope.

    Nick: why the hell not? your fingers fall off?

    Louis Connelly: Well you move on. Have you seen the lads lately?

    Nick: Ah, we still mess around, but the Connelly Brothers never really bounced back minus one brother.

    Louis Connelly: Have you seen Marshall lately?

    Nick: Have you?

    [Louis doesn't reply so nick changes the subject]

    Nick: It's my birthday on Saturday, the session's at my place. Come, bring you're girlfriend! It's great seeing you man, remind me of New York, the good old days, eh?

  • Jennifer: [sees Louis on the projector] Oh my god! Is that you?

    [Louis doesn't answer]

    Jennifer: When were you going to tell me you were in a band?

    Marshall: [Cutting in before Louis could answer] I'm sure there's a lot of things our Louis hasn't told you darling, like who'd did you write the song for?

    Louis Connelly: [turns away from Marshall] I told you this was a bad idea.

    Marshall: That's it, go on! Walk out on us again!

    [Louis turns back to him]

    Marshall: Eh, Lou?

    Louis Connelly: [Walking towards Marshall] Say what you have to say Marshall!

    Marshall: No man, go on!

    Louis Connelly: Come on! Say what you have to say! Come on say it!

    Marshall: Say what?

    Louis Connelly: [Shoves him] Come on! Say it! Say it!

    Marshall: [Backing away as Louis continues pushing him] That the best you got? Is that the best you got man?

    Louis Connelly: Come on! Hit me then!

    Marshall: No man

    Louis Connelly: HIT ME!

    [Slams Marshall against the projector]

    Louis Connelly: I'M SUFFOCATIN' HERE!

    [Marshall punches him in the face and Louis grunts but appears to be okay]

    Marshall: You alright man?

    [Louis wipes blood from his mouth but nods and smiles greatfully]

    Marshall: [Catches Jennifer staring at the two of them and chuckles] Welcome to the Connelly Clan!