Movie Notes | Strangers on a Train (1951)

Velda 2021-11-13 08:01:23

This article first published on WeChat public account: [Little Director], please indicate the source for reprinting

The shadow of the brim conceals the face

Shoot and destroy the Trojan horse, the rotation speed of the Trojan horse is out of order

Bruro's perspective: audience area

Emoticon close-up

The old man below the carousel

The legs of the wooden horse move up and down, stepping on the bad guys

The legs of the wooden horse move up and down, stepping on the bad guys

The legs of the wooden horse move up and down, stepping on the bad guys

The legs of the wooden horse move up and down, stepping on the bad guys

The legs of the wooden horse move up and down, stepping on the bad guys

Trojan's expression

Trojan's expression

This article first published on WeChat public account: [Little Director], please indicate the source for reprinting

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Extended Reading
  • Else 2022-03-26 09:01:04

    Fatty Xi is not only a master of suspense, but also a master of creating visual images

  • Omari 2022-03-21 09:01:40

    Let's talk about the scene of killing a slut in an amusement park. The slut thinks that the killer is trying to seduce himself, 1. Make the originally nervous pursuit more humorous 2. Make it reasonable for the slut to relax his vigilance 3. There is a kind of "I love death" You strangle my hand" British irony. This movie makes glasses, trains, and merry-go-rounds change their meanings, making familiar scenes bizarre, which seems to be the commonality of many masterpieces

Strangers on a Train quotes

  • Bruno Anthony: That reminds me of a *wonderful* idea I had once. I used to put myself to sleep at night - figuring it out. Now, let's say that - that you'd like to get rid of your wife.

    Guy Haines: That's a morbid thought.

    Bruno Anthony: Oh, no, no, no, no. Just suppose. Let's say you had a very good reason.

    Guy Haines: No, let's - let's not say...

    Bruno Anthony: No, no! Let's say. Now, you'd be afraid to kill her. You'd get caught. And what would trip you up? The motive. Ah. Now here's my idea.

    Guy Haines: I'm afraid I haven't time to listen, Bruno.

    Bruno Anthony: Listen, it's so simple, too. Two fellows meet accidentally, like you and me. No connection between them at all. Never saw each other before. Each one has somebody he'd like to get rid of. So they swap murders.

    Guy Haines: Swap murders?

    Bruno Anthony: Each fellow does the other fellow's murder. Then there's nothing to connect them. Each one has murdered a total stranger. Like you do my murder and I do yours.

  • Bruno Anthony: You think my theory is okay, Guy? You like it?

    Guy Haines: Sure, sure, Bruno. They're all okay.