The short review exceeds the word count. .

Jarvis 2022-12-14 21:00:34

Had I known Kaufman a few years earlier, I would have worshipped him like a god. But now I feel that these are just typical Kaufman games, the camera in front of the camera, his subject matter, his picture-in-picture, play-in-play, play-in-play-in-play, always about himself. This screenwriter is so obsessed with his distress and loneliness that he can't see anything but himself.

When the stalker who will play Caden shows up, you can almost hear Kaufman's ghost whispering in his ear, isn't that beautiful? It's homely narcissism. Yet even the ghosts came to scold him, You've never really looked at anyone other than yourself.

But isn't that the truth? Whether it's news, entertainment, or academia, everyone wants to be a camera behind a camera, and the result is just another arrogance. Kaufman may be narcissistic, but honest.

…Maybe because no one wants to hear about my misery, because they have their own. Well, fuck everybody. Here again the ghost lolling, but still no one's watching you, except yourself.

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Extended Reading

Synecdoche, New York quotes

  • Sammy Barnathan: I've watched you forever, Caden, but you've never really looked at anyone other than yourself. So watch me. Watch my heart break. Watch me jump. Watch me learn that after death there's nothing. There's no more watching. There's no more following. No love. Say goodbye to Hazel for me. And say it to yourself, too. None of us has much time.

  • [over radio]

    Millicent Weems: What was once before you - an exciting, mysterious future - is now behind you. Lived; understood; disappointing. You realize you are not special. You have struggled into existence, and are now slipping silently out of it. This is everyone's experience. Every single one. The specifics hardly matter. Everyone's everyone. So you are Adele, Hazel, Claire, Olive. You are Ellen. All her meager sadnesses are yours; all her loneliness; the gray, straw-like hair; her red raw hands. It's yours. It is time for you to understand this.

    Millicent Weems: Walk.

    Millicent Weems: As the people who adore you stop adoring you; as they die; as they move on; as you shed them; as you shed your beauty; your youth; as the world forgets you; as you recognize your transience; as you begin to lose your characteristics one by one; as you learn there is no-one watching you, and there never was, you think only about driving - not coming from any place; not arriving any place. Just driving, counting off time. Now you are here, at 7:43. Now you are here, at 7:44. Now you are...

    Millicent Weems: Gone.