Personally, I think Lao Bei's magnificent and dreary scenes and Sakamoto Ryuichi's deep and majestic soundtrack set off the unparalleled desert spectacle in Africa. The emotional entanglement and life experience of the protagonist are just right and moving, heart-piercing, and the development of stories and emotions. The context is as smooth and clear as the travel routes of the protagonists. The overall rhythm doesn't feel very "stuffy", at least I didn't feel sleepy anymore after I stayed up late and watched it.
Some places are suitable for epics, African deserts and camel caravans, unique folk music and customs; sad and fragile individual fate - kit's hot and full, her union and separation with three men; as a cultural he The author's traveller and tourist and the local residents face each other and face each other, and the rich expression of layers and layers has completely surpassed the simple pattern of the so-called "road film".
When I was watching Ryuichi Sakamoto's documentary before, I remembered a movie scene of sheltering sky in it, and after watching it, I felt it was worth seeing. Going back 10,000 steps, with Lao Bei's camera and rhythm control and Sakamoto Ryuichi's soundtrack, the sheltering sky is already worthy of 4 stars just as an African style film or a custom documentary or soundtrack mv.
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