From the title of the film, I had to turn on the Tucao mode, and gave the audience another lesson in geography and language. It seems that the chain has been dropped from the beginning. Next, let's count the surprise slots!
1. I thought it was a tight schedule, but the filming time of less than five months blocked the audience. Or think that the core brain has been changed, but the same screenwriter and director are stunned. Did you get fat by eating this book? Fat squeezes too much inspiration.
2. Entering the plot, the atmosphere at the beginning is indeed in line with the tone of a ruin, but the expressions and costumes of the characters lack a scene fusion, and an inappropriate one. What I want to say is that the echoes of the heroine's rescue plot and the later encounter plot are really only related plots that can be remembered in the whole article, but this is only the norm of elementary school composition.
3. The sudden development of the plot makes you don't know where a bunch of "foreigners" who have made money from other countries' national hardships appear. The whole film has another echo before and after, so that there is a beginning and an end in the true sense. But it's not really compact at all.
4. The antagonistic relationship in the whole film is similar to that of drug-trafficking gangs coercing the protagonist to illegally transport and encounter all kinds of black-and-white bridges. Among them, the "theme group"-zombies only made a cameo appearance to create an atmosphere.
5. I don’t know if it is for the purpose of commercialization to blindly expand the scope of the audience. The lack of “corpse” in the whole film reduces the importance of zombies. The label of horror and horror in the film is indeed a bit far-fetched, and it loses the important props that stimulate the audience’s nerves. But with the shock of the first part, this kind of grandstanding can add a few more spectators.
6. In order to increase the viewing experience of the movie, the director deliberately watched the "Speed and Lovely" series of movies in advance, took some inspirations, and integrated them desperately. The exaggerated logic, the more bizarrely relaxed and not scary, once again proved the commercialization too serious. I don't know whether the lengthened length is to reflect the use of CG, or to use CG to reflect the director's enthusiasm and enthusiasm for the "Speed" series. The space in the middle and back is basically full. If it is really hot, it is really a waste of money.
7. The emotions and characteristics of the characters are really impossible to start with, because there is nothing profound, and they are all about watching the flowers.
8. In the first part, one main, one dark line and two lines are detailed and clear. The plot of Part 2 should have a full plot, but it became messy. The characters in Part 1 are vivid and three-dimensional.
N. The "Le Monde" really gave enough face, and commented that the plot is fascinating, and an excellent sequel is better than the former. The overall rhythm and the compact development of the plot are not a big problem. After reading this film review, it really reminded me of the characters in Korean films who do things and count money.
N+1. In addition to the popular film critics, what is even more surprising is that it was nominated for Best Director at the Blue Dragon Film Awards, one of the three major Korean film awards. It seems that the first financial impact is indeed quite a lot.
There are indeed many flaws, and after reading it, I can't be bothered. I finally know that Ma Dongxi said after reading the script: Oppa, you told me clearly~.
Hello everyone, I'm Knife. Ye Fu was angry at the injustice, and wore the ancient sword in his chest.
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