I want to eat your pancreas - the most ambiguous love story

I Want to Eat Your Pancreas

During the winter vacation of 2019, I caught up with the last scene in the movie theater, and caught up with this animated movie that I like now. In addition to the one I re-read today, I have already read it three times, and I will also add the original novel I read at school before. First, let’s briefly introduce the male and female protagonists of the animation. The male protagonist, a cowardly and timid person with a gloomy personality and not good at communication, is a transparent person in the class but likes all kinds of books. The heroine, Ying Liang, is the most popular in the class. She has contact with all kinds of people and is outgoing. However, her pancreas is ill, and a high school student will die soon. The story begins when they meet in the hospital, and ends with the death of the heroine and the new life of the hero after the ups and downs. From the perspective of animated films, I like two places the most, when the boy goes to the heroine's house to borrow books and when the last heroine's suicide note is displayed in front of the hero. When the male protagonist goes to the female protagonist's house, it happens to be half of the movie, and it is also the real turning point of the relationship between the male and female protagonists. The heroine used what she wanted to do before her death as an excuse to do something she shouldn't do with someone who was neither a lover nor a lover, and hugged him after confirming her feelings for many times, and said that the next step (kissing) is the one that shouldn't be done, and the male protagonist will remember what Kyoko said to him after glancing at the book on the ground, whether he can take up this responsibility, take good care of Ying Liang, let him Her responsibility for happiness. After a moment of hesitation, he decided to take this responsibility and cooperate with her. But Ying Liang stopped abruptly and said that it was just a prank, which also made this particularly good-tempered boy feel that his feelings were being played with, and the decision he had just made was just his own wishful thinking, which made him temporarily Losing his mind, he pushed Ying Liang down on the bed. "Let go, it hurts.", "Are you following my jokes? Your personality fits me too well.", "You treat a girl like this, don't you think you are yourself? Is this too much?", "Let go of me, don't do this, don't." When he saw Yingliang crying, the boy realized what he had just done, grabbed his bag and rushed out the door. This is the first half of this scene, from the heroine who has been testing the boy until the boy is determined to protect her and take care of her, but finds that her behavior may be just playing with her feelings and is angry, the rationality in her mind is suppressed by anger and Throwing down the heroine, only when rationality returned did she realize what she had done. Desires, hormones, anger, reason, and broken emotions all mingle to bring this conflict to a climax. What were the two of them thinking when they overwhelmed Sakura? Is it the fear of male power or the fear of themselves? The regret of just overdoing it, and the anger in the boy's mind or the nature that is stimulated by hormones. There is no direct psychological description in the animation, but the distance is slowly narrowed through a shot from bottom to top. The only communication between them is the resistance of the heroine and the panting of the hero. The hearts of the audience were hung up until they rushed out of the door. The rhythm control of this section and the camera are also very comfortable. No matter how many times you watch it, you can feel the anger and confusion in the heart of the male protagonist. . The biggest reason I like this scene is that there is only one psychological description of the male protagonist in the whole process, and I am still recalling the words of Yingliang's best friend, but it depicts the psychological activities and emotional changes of the male and female protagonists very well. To me, Ying Liang's actions were a bit too much. She was an intruder who invaded the male lead's life. She made so many requests before, and the boy did it with her. In the end, she had to test the boy. Just when the boy thought he could finally let go of his guard and open his heart, her sudden stop shattered his feelings again. What she did made him begin to doubt his place in her heart, whether he was just a dispensable person to her, and closed the door that he had just opened a little. In the next scene, the boy left the house and met her ex-boyfriend. They had an argument over Yingliang. The boy also punched him directly. Then Yingliang arrived and saw the injured boy, angrily to the Ex-boyfriend expresses his boredom with him and how important the boy is to him. After the ex-boyfriend left, only Ying Liang and the disheartened boy were left. "I just said that people like me shouldn't have anything to do with others, I should be alone, so that I won't hurt anyone.", "What are you doing with me, you should be with me?" It's good to be with someone like Kyoko who really cares about you.", "And we two just happened to meet in the hospital that day." Three sentences told the heroine that she should not be with others, not only hurt She hurt others and hurt herself, even if she gave her sincerity, she couldn't get it in return, and she made a clear line with her. Afterwards, Ying Liang told him that what we are today is the result of all the choices made together, of course, being ruthlessly answered is just your wishful thinking. And apologized for his excessive behavior just now, and finally made a straight ball to express the importance of the boy to him. "But I think I'm really happy to have you by my side now.", "I want a little more time, even if it's just a little time, I want you to be with me." The Lord's response "I'm afraid I can't do much for you" came to an end. As the climax of the conflict and contradiction in the middle of the film, this scene is used to separate the front and back. After understanding their weight in Yingliang's heart for the first time, the male and female protagonists can finally truly open their hearts to accept each other. The previous part of the male and female protagonists are still relatively simple relationships with friends and above but less than lovers. After that, their relationship is not only friends, but also a pair of people who communicate with each other. They are no longer superficial, and they have begun to go to the soul. deeper communication. My entrainment of private goods is good for me, but it has shortcomings. I have been testing the male protagonist and said that I don't like the male protagonist. If I wasn't scared by the boy's anger and worried about losing the boy, I would have taken the male protagonist's The feelings were shattered, and after re-examining the boy, I realized how important he was to me. What was the boy's position to her before that? She is already a dying person. She said that she didn't like the boy earlier, but she may have understood that she didn't want to occupy an important position in the boy's heart, but then when she made the excuse that she wanted to do something wrong with someone who was not a lover before she died, What she was thinking, I can't guess. As an intruder, he invaded other people's lives and hearts, making waves, and finally telling him that it was just a prank, I can only understand that the heroine really wanted to do something with him before she died, but in the end she was afraid that it would make He couldn't forget himself and gave up. The other scene is when the last heroine's suicide note is displayed in front of the boy. One of the reasons I have always liked animation is that animation is "absurd", it can use technology that can't be done in reality to show the imagination. "The Little Prince" was a book that Yingliang liked very much, and it was also a book that the boy borrowed from her house at that time. Yingliang became the "Little Prince" and talked to the boy. The painting is really beautiful, and in this scene It's all about her relationship with him. They can't be summed up in a simple love relationship, they are actually more like traveling companions, traveling companions on the road of life. In the beginning, they were attracted to each other because they were completely different from each other. After understanding each other's unique charm, they wanted to eat each other's pancreas and become someone like you. The boy finally accepted her soul, ate the broken part, and let himself come out of his closed heart and actively interact with outsiders. Yingliang no longer only sees other people's eyes, but began to pursue his own unique charm. Let's end this with a passage from The Little Prince - Humans have five thousand roses in the same garden, but they can't find what they're looking for. What they seek, however, can be found in a rose or a little water. The main line of this animation is the transformation and development of the relationship between the male and female protagonists rather than their love, and the dark line is the constant interspersed about discussion of life. The first is that the female protagonist noticed the male protagonist early, why is there such a person who never cares about other people's evaluations, and has always been alone. After he picked up her diary and learned Ying Liang's secret, the two began to contact. Because of the completely different personalities, the boy couldn't stand this noisy person at first, but he basically met her requirements and accompany her to go shopping and travel, and finally cut it when he saw the medicine in her bag at the hotel. I really feel that she is a person who will die, a person whose life is about to end. Later in Truth or Dare, when asked, "Actually, when I think about myself dying, I'm scared to death, what should I do?", the male protagonist was actually very scared in his heart, and he kept a proper distance all the time. She felt that as long as he didn't tell the secret, she wouldn't bother her, and she didn't want to be too intimate even when she was in the hotel. Before this question, he always knew that he could not put Ying Liang in a too important position, because this beauty is fleeting, can his gloomy character really come out of this experience? Only after this question did he really start to think about the relationship between the two of them. When he put on the hat she gave him when he got off the bus, it meant that he was already willing to leave her a place in his heart. Then at the turning point in the middle, after experiencing ups and downs, they were already willing to open their hearts to each other and be the reason for each other to live. After that, the things they talked about were no longer just superficial, but they were willing to explore deeper into the soul, and it was the different charms in their hearts that first attracted the two of them. From the very beginning, your soul was so noisy that I wanted to eat your pancreas and want to live with your soul. I kept a proper distance from the very beginning. I felt that when I heard the news that Ying Liang was hospitalized, I rushed over immediately. In the past, she was passively hugged from the very beginning, and she was actively hugged at the fireworks party. The boy's change is the result of the story, and it is also the ending of his own choice, and he chooses to be willing to accept this long and short life path. If you want me to rank the level of intimacy between people, a simple chat

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