Great discovery: Rei and Fei are the same voice actress!
The poster is reminiscent of Lennon's "mind games" in which John Lennon in 1973 had to step over the huge face of Yoko Ono on the horizon under the pressure of broken emotions and public opinion. The incomparably arrogant and contemptuous rock hero now appears powerless and humble in front of Yoko's expressionless face. What is magnified infinitely is his insignificance, his insignificance as a male subject, and his insignificance as a human subject. Isn't it the same here, the tiny lost Shinji and Asuka looked at Rei's face in the distance, and grabbed a corner of the skirt of the Goddess of Truth from her treacherous smile, but the boundless darkness and piercing heart The truth shattered, and then, rebirth, re-creation, another Genesis, another Apocalypse - the human history of the Ouroboros, the impossible Gospels.
Imagination is the luck and misfortune of human beings: there are so many misfortunes and setbacks in life, we have lost the "one" since the moment of birth, and we will inevitably suffer setbacks again and again in the process of exploring and capturing in the future. From the very beginning, man is a deficient machine of desire that cannot be called a subject and can never be satisfied, and imagination is used greedily as a sharp tool to sew real wounds. Including, but far from being limited to: imagining a whole other subject enjoying more original pleasures that will not let us down, imagining one's feelings being reciprocated by others, imagining others projecting their aggressive intentions on us, imagining that there are etc. intersubjectivity. We gradually construct a pathological self in all kinds of illusions. While moving toward the past tense of "one", we are anxiously eager to find a place in the symbolic order to construct self-identity, because we are afraid of the intrusion of others. I wanted to run away from hurt and hurt, but there was another me who was longing for the recognition of the other and had to frame the relative position of the self in the gaze of the other. She said, "There is no escape." There is a law in the father's name that requires us to give up the ideal self as self-to-substance, and in exchange he may give us the Possibility, promises us a symbolic phallus, a replacement, a less than perfect imitation that is better than nothing. Now there are only two pathetic paths before mankind, either to be the imaginary Jesus, to be the imaginary Messiah who sees only the grave but no corpse, and shatters step by step in paranoia and hysteria; the other One option is when the renamed Abraham, at the cost of the circumcision of the posterity, takes the vast and boundless kingdom, which is only in the realm of symbols, and which you have no right to take if you do not give. If the suffering of human beings is that they are incomplete, that they are lacking, then the stupidity of human beings is that they will take it for granted that somewhere there is an absolute other who is not limited by the law of phallus outside the law of phallus Absolute pleasure. On the one hand, the framework of law suppresses people’s will to enjoy themselves, and on the other hand, it makes people have arrogant desires. It is clear that human beings and the seventeen apostles are creations of Adam and Lilith. Gotta get the first chance to win? Because we are human beings, human beings are wise, those who are wise want to know the truth of their existence, those who are wise only make laws, those who are wise are arrogant, those who are wise are the most dangerous, those who want to understand the mysteries of nature, will naturally bring her into the abyss of destruction.
"One" does not exist, wholeness does not exist, unity does not exist. Human beings are the product of division, and they are destined to be in a state of "non-oneness" from beginning to end. Even if all the positive traits of all individuals are added together, one cannot get the full name of a person, a Human, there is always something that cannot be stitched into the set of signifiers, there is always something that slips out and disappears, tempting us to pursue But impossible to find. How sad is the human being to complete the plan, how foolish is the human being who hopes to make up for the lacking subject with the lacking other, the escape is playfully sneering in the hole, and the subject who has ears to hear and reflects can only He bowed his head, because this is the original sin of mankind, a sin committed by man's foolish imagination, which cannot be healed or escaped. Man can only carry the cross to live. But how great is the ethereal voice of Li, who took the initiative to merge with the second apostle. It is almost a leap of conception. Can it be regarded as the subject consciousness of the initiator and creator that human beings have really sprung from this moment? Complete the epic leap from camel to lion, and no longer accept the other's decrees and words without reflection, do you know that God is no longer important to me now, the thing that created the world, If it were personified, it would be surprising in what lighthearted atmosphere he was murdered! Now it is no longer necessary for an absolute Other to legislate for man, and man legislates for himself, her great law, her glorious law.
After that, how is the retrograde of human beings possible, even in Eden after the destruction, the two living and dying subjects who have broken through the signifier order because of their dissatisfaction with the false wholeness and stood on the edge of the order and questioned it - two, Exactly two, two people can create a universe - it's not the same anymore, strangling a person is now something people won't do anymore, even if I seek other people's happiness by destroying other people's subjects, it's not the same Now, this destruction is incomplete, this other is perseverance, this beauty is immortal. The subject is no longer obsessed with aggression, or inward or outward, and no longer hates himself and others, wagging his tail and begging for help. In a sense, sublimation, perhaps it can be named after a piece of Schoenberg's music - sublimation. night. Ikari Shinji grabbed Asuka's neck twice, but the meaning is fundamentally different, isn't it? The first strangulation was the bewildered and confused outcast of Shinji in the pre-subject period, expecting others to legislate for him and asking them to give him some sad leftover original music. The morbid Qiuhara Raku will of the aggression erupts in a form of violence, so Asuka, the poor victim (but she is also guilty), dies under Shinji's atrocity, with a single atrocity for transient gratification, Thus deepening one's sense of guilt and repentance, its fundamental purpose is to destroy oneself and return to the original inorganic state of no stimulation, no tension and no frustration, but still not free, still dissatisfied, still empty, still powerless, although Dying here is not a conquest of death, but a passive dying. However, the second time I tried to grab Asuka's neck was not the same. In the sea of LCL, Shinji and Asuka were born out of subjectivity, and the "Wall of Heart" was rebuilt. Of course, Shinji could not be satisfied with this. , he is still cowardly, hoping that others can provide his needs unconditionally and without delay, giving himself "enough" but he also realized that this was an impossibility, and he could only maintain his own loneliness in a world full of subjectivity. The atrocities at this time were more understood by me as a hysterical subject. Standing on the fringes or outside of the order, questioning the high-ranking father, questioning his authority, challenging his status, conscious overstepping, the occurrence of self-disciplined subjects, Asuka is seen as a gift (who is not the object). important), in exchange for the act of murder in exchange for the Other Order's response to him (still naive from this point of view). Whether or not this response happened, it was intercepted, Asuka was not an object, she was also a living subject of others, she would resist, and she would say no, even though she appeared before Shinji in an extremely weak and powerless posture , but now she can be said to be much stronger than the last time, and she is also a subject who broke out of the cocoon after accepting the "Wall of the Heart". So when Asuka put her hand close to Shinji's face, the first contract was born, whether it was for the needs of production or for the decree of the superego, the murder stopped, it was necessary. People must recognize "the impossibility of speech", "the impossibility of intersubjective relationship" and "the impossibility of sexual relationship", but this does not mean that the subject should be silent and do nothing about it. Because the pursuit of the impossible is the mission of every human subject, "where it is, I must be there—it is my responsibility", the subject must also assume desire after traversing the phantom structure, Just face and take responsibility for the obscurity of the unconscious. Therefore, in addition to the violent Shinji, there should be another Shinji who is watching his atrocities, standing in the position of the other and staring at himself indifferently, staring at himself who is dominated by the desires of the other, and at the same time planning a higher transcendence, really not to him. The "new human" who desires to make concessions, a new subject who legislates for itself in a void, the state of incapability that is constantly conflicted and disturbed ends here, the two who created the world fear and hate each other and coexist with each other, the most primitive of human beings. The appearance, the appearance that is not cut by the symbolic order (at least less). After the phantasmagoric structure, you must also take on the desire to face and take responsibility for the obscurity of the unconscious. Therefore, in addition to the violent Shinji, there should be another Shinji who is watching his atrocities, standing in the position of the other and staring at himself indifferently, staring at himself who is dominated by the desires of the other, and at the same time planning a higher transcendence, really not to him. The "new human" who desires to make concessions, a new subject who legislates for itself in a void, the state of incapability that is constantly conflicted and disturbed ends here, the two who created the world fear and hate each other and coexist with each other, the most primitive of human beings. The appearance, the appearance that is not cut by the symbolic order (at least less). After the phantasmagoric structure, you must also take on the desire to face and take responsibility for the obscurity of the unconscious. Therefore, in addition to the violent Shinji, there should be another Shinji who is watching his atrocities, standing in the position of the other and staring at himself indifferently, staring at himself who is dominated by the desires of the other, and at the same time planning a higher transcendence, really not to him. The "new human" who desires to make concessions, a new subject who legislates for itself in a void, the state of incapability that is constantly conflicted and disturbed ends here, the two who created the world fear and hate each other and coexist with each other, the most primitive of human beings. The appearance, the appearance that is not cut by the symbolic order (at least less).
Who are you really for? It doesn't matter, they're all dead or dying anyway, or never existed.
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