I watched it with my seven-year-old child. He liked it very much, and I also liked it very much. It is one of the best cartoons I have seen recently (the other one, Jiang Ziya is also very good-looking). Children see courage and adventure, adults see metaphors and reality. Believe and trust three times in the play and save the world. For the first time, the elder brother and sister of the dragon believed in the youngest dragon, handed over his abilities to her, and she saved the world. The second time, the heroine Raya believed in the existence of dragons, insisted on going to the end of all rivers to find dragons, and found and awakened dragons at the source of the last river. The third time, the two sides defending each other, Raya first chose to believe each other, and finally everyone chose to believe together. After assembling the dragon's crystal ball, the world was once again saved, and even all the dragons were resurrected. Therefore, people stopped being suspicious and Disputes and unity are more powerful than the protection that dragons can give. There are two things I want to say, one is the posture after people are turned into stone, when people are controlled by desires such as selfishness and greed, they will lose their color, have no feelings, and be like a stone. Does that posture seem to be done with the devil? The appearance of the transaction, with awe and devotion of good qualities, has become an invulnerable, tasteless and colorless existence. People's stone statues seem to reflect the so-called "adult appearance", which makes people feel inexplicably sad. The other is the background of Dragon Heart City, which is a hollow ring-shaped mountain. Where light can come in, the gestures of people's admiration and approval are also rings. The subtext of the feeling is, open the heart and let the light in. In addition to the very good character design, I especially like the ball mount, it's so cute, it's too cute. Everyone has a distinct personality and is a different contradiction. The big man is strong and fragile, and the little baby is innocent and cunning. . . .
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