only about the girls in the video

Curtis 2022-03-22 09:02:50

I flipped through a few high-scoring movie reviews, I don't know if I missed it? Opinions that are repeated are purely similar.

Bomberman, Irish Revolutionary Brothers, Long Skirt Girl.

Bomb, leather brother, girl. The two flashbacks of the three people felt incomprehensible the first time I watched it. Second brush today, seems to feel like I have read something.

Straight to the point, I think the girl metaphor is a revolutionary ideal.

The bomb has been betrayed by Brother Ge, hated and doubted Brother Ge, and suspected the revolutionary friendship with Brother Ge. I think Bomb firmly believed in his own judgment and conclusion about Brother Ge. The only thing he had doubts was the expression on Brother Ge's face when he killed Brother Ge with his own hands. What Brother Ge showed was not the fear, annoyance, or remorse when the traitor was punished, but the calmness and relief of voluntary death.

Two flashbacks to what I thought were bombs.

Both Bomb and Brother Ge were intoxicated with girls when they were young, that is, the ideal of revolution. . In the first flashback, the bomb kisses the girl, but Gee doesn't. It means that the bomb believes that he is the one who is truly infatuated with revolutionary ideals and has a deeper revolutionary will. Although Brother Ge was happy in the process of chasing and approaching the revolutionary ideal, he was a little worse than the bomb. Therefore, there was a turning point when Brother Ge identified himself and betrayed his revolutionary comrades-in-arms.

But after many encounters with another betrayer, the doctor, Bomb began to reflect on his judgment on Brother Ge. The doctor used his life (without jumping off the train) to prove his revolutionary belief to the bomb, and used his life to repent of the sacrifices he brought to other comrades in arms.

Bomb thinks that Brother Ge may be like a doctor. Although he surrendered under the torture, he betrayed his revolutionary comrades-in-arms, but before (and even after) he was tortured, they were also people who truly and completely possessed revolutionary ideals! Although he failed the test of torture.

So in the second flashback, both Bomb and Gee kiss the girl. Yes, Bomb believes that he and Brother Ge had genuinely shared revolutionary ideals (before the torture), and he was not wrong at that time.

Betrayal under torture is an undoubted fact, but so is the sincere revolutionary ideal. Not every revolutionary is an iron man, and frustration and cowardice will not be eradicated by having revolutionary ideals.

Brother Ge's eyes and expressions before his death, and the choice of the doctor to follow the train to die, let the bomb finally choose to understand, believe and let go.

This also reflects the complexity of engaging in revolutionary causes. The only absolute in this world is that there is no such thing as absolute.

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A little experience, the judge laughed.

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Extended Reading

Duck, You Sucker! quotes

  • Juan Miranda: [looking through John's binoculars the wrong way] He says there's no danger; all you have to do is just watch the bridge from a long way. No matter how I look with them, I'm still too close to the bridge.

    [looks through them the right way]

    Juan Miranda: Why am I mixed up in this fucking revolution in the first place? Go ahead, you tell me God; what am I doing here? Why didn't you strike me dead instead of letting me say "I stay too"?

    [notices John walking away from the birdge]

    Juan Miranda: Oh-ho, look at him. Look at him! All because of him! He acts like a tourist that's going somewhere, only he's staying, eh, heh-heh! Look at him. What the hell does he care, ho-ho, he's having fun. Oh-ho-ho-ho-ho-ho! I'm glad he's having fun, God, because I am not having fun. Oh-ho. No! Hey, what's this?

    [notices John napping]

    Juan Miranda: Ho-ho, now he goes to sleep, eh? Go ahead, you sleep. Sleep. I tell you something God: when he's asleep, I go. Shhh. May the good Lord watch over you.

    [prepares to leave, but notices Günther Ruiz and his soldiers arriving at the bridge]

  • Priest: [about peasants] I hate saying it, but you should hear them in the confessional. You would never imagine. Did you know that they...

    Adelita, woman in stagecoach: I can imagine, Father. I can imagine. Living in such promiscuity. All of them in one room, male and female together, lying in a heap, like rats in a sewer. At night, when the lights are out, all their inhibitions disappear. You never know who's next: mother, sister, daughter... goat...