1. The role of mother is full of selfishness and sinister desire for control. She is the origin of the fantasy of the evil witch, but after the witch, the female lead and male lead's demon, has its own vitality and exists independently of the mother. Behind the confusion, hesitation, and fear of the two protagonists, perhaps the role played by this demon is far greater than the influence exerted by the mother in the real world. From this point of view, the tentacle of any kind of threat can always reach farther than it actually touches, because the threatened not only lives under the threat itself but also lives under its shadow. For example, the current state of the creators of "Dancing in Shackles." "This plot will be considered to have xx attributes, the above review will not pass, I will change it..." At the end of the movie, a "good witch" tells Cage to face love balabala bravely... In reality, from It is much more difficult to discover that defeating such demons. Above, the story of the cousin told by the heroine in the film mentioned that the cousin always felt that there were aliens wearing gloves harassing him, but in fact the one wearing gloves was himself. If I interpret it according to my idea, maybe the movie It does express this meaning, but it may be that I am completely wrong and I will not argue (even if I am completely against the concept of "over-interpretation", I do allow my thinking to diverge and focus on this).
2. In addition to Mr. Street's atypical, in fact, this is only the second time to see Lynch's film. The style is still very prominent, with the following points:
1.Very dramatic characterization. In fact, Mulholland Road is relatively less obvious. I am more impressed by the big brother who has high requirements for coffee and vomits directly. There are a lot of them in this one, and the villains are all big-case actors (or extroverts) in terms of makeup and behavior, just like characters who just came out of the Vivienne Westwood fashion show. In contrast, the plot is logically clear and more realistic.
2. Lynch is famous for making dreams. The gloomy and gorgeous texture is in line with the dream that I long for. I love the inexplicable time in Lynch's movies. The scene itself, with the light shining straight on the make-up that is almost miserable, and the whole body immersed in the darkness and silence, completely fascinates me. The theater sequence in Mulholland Drive is probably the most powerful movie sequence I've ever seen. The sleepwalking experience of the car crash game in this one is equally captivating. There is also such a scene in the unseen Blue Velvet stills.
3. Wumao special effects. I actually can't accept this plastic feeling, but Lynch's use is quite surreal... As for the blues Shanghai that Lynch shot for Dior... Really?
4. The innocence of the characters. Naomi's character is the character I feel most distressed in the history of movies, and because of this, I have always liked naomi with a little pity. My favorite part of this movie is when Dunn was crying alone on the morning Cage went to rob, the music on the radio changed from wild rock to soothing classical for the first time, that moment I could totally empathize with the heroine: man Deviating from the direction but powerless, hating herself for being close to surrender in front of her desires, destroying her original flawless innocence, even if it was not her fault at all, and the child she was pregnant with, everything was out of control, and she fell very fast, like in a cold winter. Moldy and hopeless on a Monday morning. I think David Lynch is sincere and his films have real emotional power.
5. Soundtrack. In fact, it is also mainly gorgeous and weird, which echoes the visual effects. I like them all.
6. The nature of a thriller. Suspense, tension, mystery. In fact, it is also the effect of audiovisual and some dream passages.
All in all, I think Lynch has too many labels. He is obviously a master of stylization, but he is not limited to this. He has a rare sincerity under the hype. 3 movies, Lynch should be my favorite director (one of) at this stage.
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