In this 1960 "Spartacus" without special effects and dark depictions of human nature, I am thinking about the complexity of freedom. The movie itself is amazingly magnificent, and it is indeed full of epic scenes. In order to be more full of perfect visual effects, each of the main and secondary actors who show their faces has been carefully selected. Just like the needs of decades ago, the characters are perfected. The facial features of heroes and leaders, nobles and slaves, beauties and businessmen, politicians and careerists, we can easily experience the meaning of crossing in such a historical myth created with a huge sum of millions of dollars in 1960. Although watching There is indeed a feeling of appreciating luxurious stage plays during this film, but isn't this the so-called "epic"? The lines and characters are the key points, and the large number of dialogues in this film fully proves its classical and philosophical weight. Almost every dialogue can be evocative and reflective. In the film, Gragu and the Roman Senate The political struggle of the dictator Krasu was particularly wonderful. It seems that the slaves of the uprising are the companions of this core power struggle after all. The two politicians’ dialogues are full of wisdom, which makes us have to think about why it was created in that era. Many philosophical figures and schools, whether wars and slaves acted as stepping stones in liberating the brains of the nobles and the freedom of human desires. Returning to the protagonist leader, I can’t forget his smile and unique jaw. The insurgent who was accused of singing became a witty or retarded male protagonist in the film. To hometown? This should be the basis of its failure. Of course, history is in the past. No one knows what kind of future the "gods" at that time were controlling the future, and the movie is just a playful imaginary performance by a group of people, the Spartak in the movie. Si became a free man by chance, and was advertised because of this sudden freedom. He had to walk to the cross in another kind of unfreedom. Although this kind of death is very suitable for singing and litigation, I really hope that he It should be just a barbarian full of desire for survival and human nature, wielding that dagger all the way to a new world.
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