Highly recommended by classmates. It is said that the five strips of blindfolds are astringent as if they were taking off their trousers.
Chapter 1, when the male protagonist has never practiced, he has far surpassed the world record all of a sudden... It's ridiculous, and it made me dare not read a paragraph and write a paragraph. It is estimated that most of the bugs are but a lot of thought. Come on, watch it without thinking.
Thinking about it again, it seems that fan dramas should be watched without thinking and then write down their thoughts? I watched a lot of episodes before, and it seemed that the score was too low. If it is based on the standard of entertainment instant noodles, then for me, as long as there is one shining point, it is enough to give a high score. The authors of many works may not even have the ambition to "complete a work that can stand the test" themselves. Having said that, my Linglong also read and wrote a sentence in this way, and there is no obvious bug. Does Guoman pay more attention to it?
The front overall feels relatively flat. The male protagonist is a little too strong. At the whiteboard, he has a physical quality that is unprecedented in the world. If you can't beat it, you can invite the most powerful mantra in the legend, Su Nuo, to sedate your spirits. If you can't beat it again, there are Wutiao, a teacher who claims to be more powerful than Su Nuo. In short, if the author does not want the protagonist to die, the protagonist cannot die.
I haven't watched Naruto very much. I feel that the two protagonists are a bit like Naruto Sasuke in terms of hairstyle and personality, and the setting of the seance is a bit similar to Nine Tails. I don't know how Hokage is so strong and nervous... Maybe it's more difficult to summon the nine tails? Master didn't arrive in time for the five articles? Or is the Nine Tails unable to exert his strength? uh uh uh... There's one more episode to make up... (split)
There are pros and cons, the strength is stronger, and the writing is easy, so the sense of crisis is much smaller. After all, the daily elements are only a small part, and the world of exorcism will feel too dull without a sense of crisis. In other words, the tension of the plot will decrease. It's like playing a horror game with an invincible plug-in, and it's boring to stand on the face of a ghost and get beaten without blood.
Eleven, twelve. These two words exceeded expectations. I thought that Junpei would be set up as a villain with a story, so the corresponding family would be very bad. I didn't expect Junpei's mother to be such an open-minded character. I was thinking about whether the knife would follow the mother, but I didn't expect to directly put the knife along the mother, very decisive. The villain's IQ will naturally be praised online. Shunping turned black and came to school to take revenge. The protagonist finds Shunping and starts talking. I didn't expect that there is still a certain level of talking. It hits the spot and is well received. When the mouth gun was about to succeed, the face was sewed, and it was destroyed, and the turning point was praised. I didn't expect Junpei to wake up here. After all, he also has the potential to be a villain. I didn't expect to give the knife directly. Creating a character is easier said than done, and difficult to say, but it has been paving the way for so long... I feel that the author is really not procrastinating. Give it a good review. (It is said that when the protagonist persuades the monster Junpei, the momentum of the protagonist of Junpei's hammer is a little weak, and doing two close-ups will have a better impact and shocking effect.)
I'm starting to look forward to what's to come.
In Chapter 13, I thought that even if I wanted to cut glasses and scar the face, it seems that the author of the continuous swordsman can't bear it hahaha. Overall, the story is starting to go in a direction I can't quite figure out, which is great. I used to think that the protagonist's immortality without a sense of crisis would make the plot dull, but it doesn't seem to be the case.
After watching it, it's as smooth as ever.
Most of the high scores are for Gojo Satoru. I can quite understand. Back then, when I watched Wolverine, I thought 9.5 was not too much for such a good thing, right? The results look at 7.4. The XP bonus will give people a great sense of refreshment. When just undressing Uncle Wolf can make me drool and howl, the plot no longer needs to provide me with a sense of refreshment, as long as it doesn't pull the hind legs in the past, it's good enough.
In the same way, Wujo Satoru may be just a charming character in the eyes of passers-by, nothing more. Even a few girls are more eye-catching than him.
You thought I was talking about a tricycle or a mace? No, I'm talking about the thick-legged copycat Nicole with nasolabial lines all over her face.
The main problem is that there is no sense of oppression, and there is no clear line, so it is very scattered. The daily jokes are good, but far from the level of propping up the beam. Compared with the notes of the ghost blowing a lamp and the tomb, the protagonist and his party have a clear exploration goal and a sense of oppression caused by danger. And what about spells? What is the main line, looking for fingers? No, it's just where I want to write it. Then add villains to sabotage in the process.
I came back specifically to read the second chapter, I'm sure I didn't miss it, the main line is really unclear. 5t5 said, "It's hard to find fingers, those with too strong aura, those who cover up their aura, and those who have been possessed by magic spirits." So how to find them, "Su Nuo will tell you the position of the fingers in order to find the strength" "It depends on you and him. Build a win-win relationship" "So you have to be there"
So there are no clues at all, which means that there are grudges everywhere, does the protagonist have to go? Not so with the plot. And if there is an object of obvious suspicion, how can the invincible 5t5 be thrown away again and again?
So the final work became a fragmented little story like Reincarnation Paradise. String it with an indistinct line. However, compared to Reincarnation Paradise, even Feng Bujue didn't say that he was invincible, did he feel a sense of urgency? And the story of reincarnation is so exciting that it can be compared to the curse?
People are solving puzzles and reasoning, what about curses? Eighty percent of the stories are battles. And the most mindless one. When one side is at a disadvantage, they say, ah, in fact, I still have one hand, and I reversed; so the other side can't beat it again, and the good guy has another epiphany on this side, and then reverses. After so many rounds of reversal, if the protagonist loses in the end, then introduce some foreign aid, such as 5t5 or Su Nuo.
What I hate most is engaging in this infinite mechanical seance. That's really how you want to write.
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