some whining

Carley 2022-03-22 09:01:44

1. The first 40 minutes are basically superfluous for me, and the last 40 minutes are basically cliff-like... Start directly from entering the house, and make the plot more complex and natural after freeing up space (you can also interweave the memory with reality. line), revealing the secret is a little more soothing and probably better. The plot drive is really blunt at a few plot points now.

2. Many people say that this film is very gothic. But Gothic's only has aesthetic design, not the plot... Or in other words, only the plots of unpopular works are so simple and blunt these days... Those motifs of really excellent Gothic works, love-hate entanglement, human nature struggle , desire, inner torture, etc., either absent or too little. Ghosts are meaningless. Goth films don't really need supernatural elements. If it's not the director's hobby, they can be removed and it will be more compact; the heroine's performance is also inappropriate, more like ordinary people than childhood. For those with Yin and Yang eyes open, the latter should have long been accustomed to supernatural existences, and be alert when they perceive supernatural existences getting together.

3. The top is really not suitable for writing emotional dramas; it may not be suitable for writing action dramas, but it is not important here.

4. Too much foreshadowing is sometimes a problem... Many props and imagery are too full, but they are completely useless in the follow-up, just like the tragic situation where the script or the finished film has been greatly cut; The expression of the eyes spreads out several possibilities in the audience's mind, and then after watching it, it is natural to feel the cliché of the plot. In fact, it is really unnecessary.

5. If there is no picture and monologue before the opening of the big book, it can be regarded as the content of a book; of course, it is still a mediocre novel written by the heroine. Instead, this reminds me of another question: how to use a film to reflect a mediocre or even inferior work, but at the same time become an excellent film in itself? Of course, this has nothing to do with the film.

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Extended Reading
  • Neil 2022-04-24 07:01:06

    After reading it, the impression is that only the model worker is left.

  • Paxton 2022-03-29 09:01:02

    An independent new female writer in the old society mistakenly married a declining noble and progressive young inventor, a ghostly house and a aunt. The parts without ghosts are pretty good-looking, especially the sense of the times in the first half of the American paragraph, and the latter is obviously tacky. The old-school gothic classical feelings are good, I thought it would end like "The Fall of Usher's Building"

Crimson Peak quotes

  • Edith Cushing: You lied to me!

    Thomas Sharpe: I did.

    Edith Cushing: You poisoned me!

    Thomas Sharpe: I did.

    Edith Cushing: You said you loved me!

    Thomas Sharpe: I do.

  • Ogilvie: A ghost story. Your father didn't tell me it was a ghost story.

    Edith Cushing: Oh it's... it's not. It's more a story with a ghost in it. The ghost is just a metaphor.

    Ogilvie: A metaphor?

    Edith Cushing: For the past.