The world of the rich, the poor don't understand

Gia 2022-03-22 09:02:00

Probably the best movie I've seen about kidnappings, and I'm also impressed with the "Ransom" that Mel Gibson played many years ago. This Ridley Scott's from true events has a bigger story. The world of the rich does not understand the poor. I understand that the film develops according to this logic. At the beginning, the child was kidnapped, and then the marriage of Gedi II was introduced. The daughter-in-law and the child once lived in the mansion, but the old Gedi was incompatible with them. Instead, he focused on using a scene to describe the dialogue between the grandfather and grandson; They all thought that Lao Gedi could afford it and would definitely redeem his life for his grandson, but he never expected to be categorically rejected by this "Grande". What the hell did the rich think? Then I will talk about Lao Gedi's way of making a fortune. He is shrewd, cunning, strong-willed, and uncompromising. Let us understand that the old guy has his life creed, the difference between the rich and the poor! Lao Gaidi secretly asked the former agent to rescue his grandson, but the premise was that he could not pay. The daughter-in-law began to contact the agent, and started the child's life in captivity, as well as the intersection with one of the kidnappers. The American civilian woman is unyielding to the richest man in the world. In order to leave the house for her children, she overwhelmed Lao Gedi in her aura, but she had to bow her head to her father-in-law when the ransom was needed. It really happened, and he resigned to Lao Gaidi. This dialogue is a turning point in the movie. Lao Gaidi decided to pay, but his grandson was already in danger. The final rescue was very shocking. The grandson finally escaped, but Lao Gaidi fell asleep. , The board of directors explained that the richest man in the world is stingy because he can't spend money but can only invest. The poor really don't understand! The whole film is compact in structure, detailed in characters, and the dramatic conflict is reasonable. The event takes place in Italy, and it also shows the various social forces involved, as well as the anarchy in remote mountainous areas. Ridley is a director I admire very much, and he can make works of various subjects amazingly talented.

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All the Money in the World quotes

  • Oswald Hinge: Ms. Getty, we offer you our sincerest condolences.

    Gail Harris: Well, you're very thoughtful.

    Oswald Hinge: Please, sit. Mr. Getty's death has created a bit of a crisis here. You see, the estate was structured as a charitable family trust.

    Gail Harris: Did he ever give any money to charity?

    Oswald Hinge: No. No.

    Gail Harris: The trust enabled Mr. Getty to build his fortune without paying taxes. There was just one catch. Under the rules of the trust, he couldn't actually spend the money.

    Gail Harris: What's the point of making all that money if you can't spend it?

    Oswald Hinge: Well, he couldn't spend it, but he could invest it.So, he invested it in things. Art. Antiques. Soon, he had a... A staggering amount of things.And a staggering amount of money. Now someone has to decide what to do with it all.

    Gail Harris: What do you want with me?

    Oswald Hinge: How do I put this... The king is dead. The throne is vacant. Your children are his heirs. Until they come of age,someone has to make the decisions. Which means, of course, someone has to take his place.

  • Gail Harris: Paul? Come say hello to Mr. Chace. Or goodbye. I'm not sure which.

    Fletcher Chace: He's gonna be trouble with the ladies.

    John Paul Getty III: I already am.

    Gail Harris: I do hope you'll stay on with us. I know you had other ambitions, but..

    Fletcher Chace: Guys like me don't get rich. We get sidetracked too easily.

    Gail Harris: Shame.

    Fletcher Chace: Not really.

    Gail Harris: I think of you as family.

    Fletcher Chace: Kind of you to say so, ma'am. Was a couple things around the grounds that I've been meaning to see to.

    Gail Harris: Yes, of course. Don't let me keep you.