At first she was just wandering, swimming naked, hitchhiking, borrowing water, borrowing matches, camping, doing odd jobs, and kissing only the people she loved; then she was raped, drunk, and drug addiction intensified; finally she was inexplicably filthy, and finally lost her temperature in winter Died in a canal.
Passers-by's perception of her was not bad from the beginning, envied her freedom and free and easy, wanted to help her to the end of disgust; the pseudo-documentary technique of breaking the fourth wall many times was fresh enough at the time, and there were still not many subjective comments. Instead, tell the story without sadness or joy.
No money to eat bread, but still have to put in coins and order songs, how romantic!
No money to eat bread, but still have to put in coins and order songs, how romantic!
What is she after? She doesn't know either. But we know that she has fallen in the process of pursuing, there are her reasons and other people's reasons; other people's views of her are mostly blind and elephants; this film allows me to understand and feel more homeless feelings, and leave a sigh. But I think that Mona is a free soul until her death. The translation of the film's title, Tianya, is in place. As for the fall, it obviously has the moral inclination of the translator. She didn't sell her body, and she didn't rob her house, so how could she fall! It should be a literal translation of Vagabond. Comparing happiness and gleaners, this film is not so amazing.
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