Owen, who is not valued at school and at home, meets a beautiful vampire monster who cares about him and listens to him. In the inner struggle of good and evil, I chose Let the devil in, let the devil abby enter my heart, and strengthened my feelings at the juncture of life and death.
You can say that this is a beautiful bloody love story, because fear and heartbeat are always intertwined, just like those loves that worry about gain and loss, love is always selfish and has nothing to do with good or evil.
You could say it's a Stockholm horror story about an old vampire abby setting up a trap to lure one boy after another into killing her for her.
You can also see that the old man's love for Abby is actually selfish, because the vampire who has lived for so long has never seen a Rubik's Cube or played a game console. Small toys, broken lives torment old men and Abby's soul.
But you can also see Abby's feelings and choices. Abby went to see the self-disfigured and arrested, and finally let her suck blood to understand the old man who was born. She can transform him like a woman who hasn't finished eating, and let him continue to live as a monster with a terrifying appearance and a tired soul. Killing at that time was a relief, just like every time Abby and the old man chose to kill instead of transforming, because Abby's essence was only for survival, not for evil, she could have created a vampire army to make all the victims. Converted and ordinary people suffer. Abby was not invited and walked into owen's house. Abby, however, gambled on her survival for love. So you can say that Abby is a witch who is skilled at abducting little boys, but you can't say that Abby is not betting on love in these relationships.
Love is ambiguous and blind, and some people can even hug a monster for love; love is also inferior and fragile, no matter how strong you are, you have to take off all disguise, and even expose your uncleanness and darkness, some people are willing Risking lives, risking heartbreak, cowardly begging each other to "let me in". At the end of this relationship, each other can only have each other, and love may be a two-way kidnapping. Who can tell that he is the one who was "Stockholm"?
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