This is an unspeakable story.
The hero and heroine have been childhood sweethearts. Later, the male protagonist's father wanted to cut off their relationship, so he sent the male protagonist to study. The two still remember each other during the thirteen years of separation. Although the male protagonist sees a wider world, he does not have the support of his soul in his heart. The heroine, however, was obsessed with him in the small village.
The male protagonist is not free. From his status as a noble in the past, to the state of being carried away by anger after a lovelorn in the later period, he is not recognized by this class or this state. So his belonging and recognition of her is so strong.
In the later period, it was still due to the difference in identity, and both were nobles, but the father of the male lead looked down on the more tolerant female lead's father's family, thinking that the other's mother was a dancer, which was absolutely unacceptable. Judging from this particularly powerful state, it is also easy to understand why the male protagonist actually has a lot of unacceptable places in this family.
In the later period, the marriage failed, and the heroine was married to a second marriage family like yours. The heroine instantly became wealthy. Then the female protagonist has entered a wider world, just like the male protagonist once. But this new husband did not accept her in his heart, so her heart hardly changed, and she still belonged to her first love.
No matter what is on your mind, only action can change the situation. But the situation does not necessarily change the heart. Because that's how everything is presented. The environment is better, the mind is worse. The mind is a little happier, the environment is a little worse.
In the middle there is the emotional scene of the male mainstream and even the dancer. They are still more loyal to their hearts, so they come out quickly, but the pain is also the biggest. This relationship has gone deep into the bone marrow, and is connected with the power of the soul and the whole soul, and it cannot be easily separated.
I don't know if the male protagonist's father has high hopes for him. But what is certain is that he wants him to be promising, and then gives certain rewards and opinions. It's akin to having your wholehearted commitment to me and I weigh the pros and cons of you. This is the attitude of wealth to people. Unlimited wealth treats limited life. When accumulated to a certain level, people will be swallowed by it, born around money and status.
The dancer who fell in love with the male protagonist was born around money status. In fact, from this point of view, there is no difference between them. But a dancer's love needs a response and is very precious. And the love of nobles, nobles are people, they think they should have rights and have infinite possibility of love. Just like the heroine's later husband, he found her for someone's housekeeper, but his love could not bloom again.
But the last one. The male protagonist who chases his heart loses his money, status and health. And the heroine who accepts the reality has endless money and long time, as well as the struggle between nobles.
I also want to mention the male protagonist's mother here.
Because of her love for her son, her recognition of her status, her daughter-in-law's instigation, and her desire to be recognized by her rights, she humiliated the heroine and her mother, and the marriage fell through. It's really a matter of his position. It's just a pity that the eldest son is not of one mind with her. The younger son who loves her more is resented by her because he loves her beloved more. This is a relationship that puts the cart before the horse. After the death of the male protagonist's father and the loss of her youngest son, she does not know what kind of life will be in this family in the future. In fact, as long as she compromises a little bit, her ending will definitely be better than it is now. It's just that she was willing to be a tool person, and was eventually abandoned by capital.
As for the heroine's family, it's hard to tell whether it is good or bad, but the heroine's mother can live a little better.
Sometimes the pursuit of capital and the pursuit of inner love is in this one release and one release, which contributes to the development and change of things.
. . . . can. . . . what to say
Romance, but not love either.
It's just that the people inside are not happy, and this is just a shadow of the flow of capital.
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