cobweb of desire

Gracie 2022-03-26 09:01:07

Akira Kurosawa almost completely materialized Toshiro Mifune in his image world. Toshiro Mifune in Akira Kurosawa's films is not a flesh and blood person, he is more like the consistent core symbol in Akira Kurosawa's films. Every time he stares , anger, and hysteria are just a twilight-like reproduction of the original image of his body. Like Banderas in the early Almodovar films, it refers to a pure and highly concentrated entity of sensuality and desire. The same is true of Toshiro Mifune. His masculinity and sturdy sexiness are the most dazzling ideograms in Akira Kurosawa's video world.

Berenice 2022-03-23 09:02:09

Re-watching @phenomena is not only a human tragedy that is universally applicable to Shakespeare, but also Macbeth, who belongs to Kurosawa full of oriental temperament. The atmosphere is minimalist and rhythm restrained, but it expands infinite psychological description space; almost all conflicts and violence are not directly displayed, but fear spews out like a shadow on Mifune's ferocious face due to hallucinations, making people feel chills down their spines. The symbol of desire and the hint of death are all shrouded in a thick fog that cannot be dissolved in the cycle of sadness and reincarnation.