The plot is good, but I can't stand the ending. If you want to say that the heroine doesn’t have to be with the hero who saves her, it’s ok, then don’t give candy in front of you, you’re holding hands, looking at the Christmas tree, and so on, everyone around you will acquiesce to them It's a couple, and in the end, they got married and had children with their friends... There is basically no sense of existence in front of them. The male protagonist will be in a coma for fifteen years in order to save you. In fifteen years, he has no education or career, and as a result, the two of you are together~ Yes, in reality, waiting for others for fifteen years does not exist. The question is is this reality? Can't I pursue sincere love and pure friendship? I didn't watch it for love at first. Didn't you feed the candy one by one? ! It's not disgusting to do this in the end? It's just intentional to not fall into the "cliché". There is also Aili, I didn't see that the male protagonist liked her at all, and her personality didn't stand up at all, and the tool was a real hammer. Okay, let's just make it up~ I even regret making up this one, and it gave me a mouthful of old blood. I saw a friend at station B say that this is to feed you "shit", and to explain that it is artificially synthesized and only has the taste of "shit", but it is not "shit", so he is right!
The success of this time is not how wonderful the suspenseful reasoning part is, on the contrary, it has some logical loopholes and imperfections. For example, there is no explanation at all about how the murderer committed the crime and blamed others, and how to erase the traces of the crime. The male protagonist did not find out the murderer, but the boss "self-destructed". The male protagonist traveled back to the past just thinking Protection, there is no intention to find the murderer at all, the teacher has no clue or foreshadowing to become a murderer, and there is no motive for killing, Aili's character is completely untenable, and so on. The point of its success lies in its ability to exaggerate the atmosphere and emotions. In the process of watching it, I was touched several times by the courage and persistence of the protagonist who tried his best to protect a person regardless of everything. The mutual trust and companionship between Wu and Xiaochuyue is touching, the warmth and sadness that Chuyue finally feels after being tortured in various ways, and the gratification for the smile she showed when she stepped out of the gloom, but all of this disappeared in Chapter 11. Kadai, you forgot who brought you warmth and smiles, who held your hand to protect you, who made friends with you for the first time, who changed your tragic life, these can be easily washed away by time ? Will you be able to live a happy life with his friends without any psychological burden when he is in a coma? This arrangement is equivalent to abandoning the biggest advantage of this work, and it completely loses the feeling of romance, fantasy and warmth before. The ending of the love pear line is very abrupt, and the final showdown is even more paediatrics. The teacher is a criminal with a high IQ and is so blind that he can't see anyone downstairs, or can these people appear in less than a second when the male protagonist is pushed down , the teacher wants to kill without any preparation in advance? The teacher's obsession with Wu is inexplicable, because of the "vacancy in the heart"? What is the "vacancy", and how did it come to be clear? How can the male lead fill the "vacancy"? The male protagonist's way of protecting people is also very clumsy. He placed Kadai on a deserted bus that didn't even have a door lock. Is he really not afraid of being followed? The ending is really too perfunctory.
If you have a little psychological tolerance, it is recommended to only read the first 10 episodes. For Xiaojiadai's sake, keep five stars. Also, my mother is really a responsible, gentle, kind and patient mother!
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