The power of faith, and the effort of nothingness

Emory 2022-03-22 09:02:30

Like a god or an alien, the man in white came to the territory of the Indians, and the latter looked at him with the simple eyes of observing outsiders. Different hair, buttons on clothes, hand-to-hand as a friendly symbol.

The backward Indians are to the modern man (the four crew members) what we are to the aliens with more advanced technology and "more civilized" than we are. Steamboat is a product of the industrial age, which is accustomed to modern people, and is a tool for the male protagonist to achieve his lofty purpose of starting an opera house. But it is also the supreme "artifact" in the eyes of the Indians, and it is also a tool for them to achieve the noble purpose of "repelling evil spirits" of the race. In the end, both the Indians representing primitive civilization and the male protagonist representing modern civilization, because of their strong will and belief, have completed the impossible task in the eyes of ordinary people - boating on land. After this incident, it seems that nothing has changed. The male protagonist failed to build an opera house, and the evil spirits in the eyes of the Indians did not disappear (waterfall rapids). They just went through the thing itself together.

Herzog deliberately used a realistic, documentary-like form to shoot the clip of the male protagonist encountering the Indians and going on a boat on land. The behavior of cutting down trees, turning logs, close-ups of anchors, ropes, etc., as well as the amateur reactions of the Indians without any trace of performance, all make people convince the pictures of boating on land.

The overall impression is that Herzog is so nihilistic. It seems that all the incredible efforts we humans have made since ancient times have in the end changed nothing except the progress of civilization. Perhaps the road to civilization is still a circle, going round and round. [Who will educate us 21st century humans next? ourselves? Elevate human beings! ] Perhaps the artificial intelligence we are developing, the pace of human civilization such as spaceship exploration of the universe, in the eyes of high-dimensional aliens, are just as daily, ordinary, and ordinary as brushing one's teeth.

But it is precisely because of beliefs and goals that we want to accomplish that we can live fully and find our "meaning of existence".

And this meaning, on another level, is meaningless.

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Extended Reading
  • Archibald 2022-03-24 09:03:03

    Herzog took four years to make a film as crazy as himself, telling the story of a "boat on land" that took place in the tropical rainforest of South America with great fantasies and finally conquered the sky. The participation of the Indians and the inexhaustible difficulty of the mise-en-scene made the filming a documentary. It all reminds me of Kubrick, who was also crazy about "2001: A Space Odyssey," for which Herzog won the Best Director award at the Cannes Film Festival.

  • Milan 2022-03-18 09:01:05

    Revisited for the third time on March 24, 2018; the image of "there is no ice in their language" is comparable to "a hundred years of loneliness"; the confrontation between civilization and wildness, the complementarity of physical strength and will; only Herzo Grid can tune documentary and magic into a magnificent way, and only Jinsky can convey such a frenzied fighting spirit, a gorgeous chant in the tropical rain forest.

Fitzcarraldo quotes

  • Don Aquilino: Ladies and gentlemen, don't worry. This gentleman is harmless. He's just had a, a soul-stirring experience.

    Rubber Baron: Sir. My servants will conduct you to the kitchen. My dogs' cook will prepare you a meal. Thank you very much, sir. You were superb.

    Brian Sweeney Fitzgerald - 'Fitzcarraldo': To your dogs' cook.

    [downs champagne glass]

    Brian Sweeney Fitzgerald - 'Fitzcarraldo': To Verdi.

    [downs champagne glass]

    Brian Sweeney Fitzgerald - 'Fitzcarraldo': To Rossini.

    [downs champagne glass]

    Brian Sweeney Fitzgerald - 'Fitzcarraldo': To Caruso.

    [downs champagne glass]

    Rubber Baron: [picks up champagne glass] To Fitzcarraldo, the Conquistador of the Useless!

    [raises glass]

    Rubber Baron: Cheers!

    Brian Sweeney Fitzgerald - 'Fitzcarraldo': As true as I am standing here, one day I shall bring grand opera to Iquitos. I will outgut you. I will outnumber you. I will outbillion you. I will outrubber you. I will outperform you. Sir, the reality of your world is nothing more than a rotten caricature of great opera.

    Molly: Fitz, Fitz, let's go. This man is no opponent. He's as dead as a doornail.

    Rubber Baron: Madam, I'm still standing firm on both my legs.

    Molly: You're a big game hunter, aren't you?

    Rubber Baron: What's that got to do with it?

    Molly: Then you should know: When you shoot an elephant, he sometimes stays on his legs for ten days before he topples over. Good night!

  • Brian Sweeney Fitzgerald - 'Fitzcarraldo': How can anyone learn patriotism from a school book?

    Young Missionary: The Government requires it.

    Old Missionary: The natives get used to it. Like vaccination.

    Young Missionary: The children already feel like little Peruvians. The other day I asked them, "Are you Indians?" "No," they said, "not we, the ones up the river, they are Indians." And then I asked. "What are Indians?" "They said to me "Indians are people who can't read and who don't know how to wash their clothes."

    Brian Sweeney Fitzgerald - 'Fitzcarraldo': And what about the older people?

    Old Missionary: Well, we can't seem to cure them of the idea that our everyday life is only an illusion, behind which lies the reality of dreams.

    Brian Sweeney Fitzgerald - 'Fitzcarraldo': Actually, I'm very interested in these ideas. I specialise in opera myself.