The English name of the movie is Rebecca, which is the name of a dead character. What's exciting in the movie is that this Rebecca does not appear in the movie at all, and all the images about her are portrayed by other characters in the dialogue. The film really didn't spend a lot of pen and ink on her, but it made Rebecca's shadow everywhere in the film. All this makes Rebecca mysterious, and at the same time it becomes the source of all suspense in the movie. The film's handling of the atmosphere is like four or two strokes, no tricks to win.
Fang Deng's performance in the movie is impeccable, playing an ordinary woman with a kind heart. Generally speaking, flying on a branch to become a phoenix is a beautiful thing, but for the other side, it is a torture. The gorgeous mansion has turned into a huge shadow, making the story more and more suspenseful. Fang Deng's character is the key, and her ordinary personality makes her look out of place in the mansion, and she is also in a state of fidgeting. On this uneasy basis, the film focuses on the ubiquitous Rebecca elements, but keeps silent about Rebecca's past, which makes the suspense of the film more and more tense and makes the audience more worried about the fate of the heroine.
It can be said that the creation of suspense is excellent. As the above plot progresses, focusing on describing the state changes of the heroine, and gradually unraveling the mystery is a smooth way of film development. However, the film did not develop according to this idea, but took the initiative to expose the mystery and let the male protagonist take the initiative to tell the truth, so this shifted the focus of the film from the female protagonist to the male protagonist, and the audience's attention was turned to worry about the fate of the male protagonist. , It also turned the heroine's excellent performance in the first half of the movie into a transition of the plot, which can be described as a movie failure.
With this treatment done by the director, the film is clearly divided into two sections in structure, the latter half of which is turned into revealing the truth and saving the fate of the male protagonist. What about the heroine? Decreased into a vase in the second half, why bother to spend so much effort in the first half if it develops like this? So the movie arranged for Rebecca to have cancer and let Rebecca's believer butler destroy all of it. Such a scribbled ending is too simple and rude in technique.
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