Typical dramatic triangle, victim persecutor rescuer
Marcus is the victim
Bikers are persecutors (fantasy)
three geeks are saviors
The rescuer is not to save Marcus, Otto is just trying to restore the lost father-daughter relationship over and over again, he just fabricated a persecutor, and took the initiative to provide information to the victim, watching the fun is not too big of a problem. As a victim, Marcus is not the victim of this tragedy, but his own victim. His life is nothing more than finding a reason to beat people or kill people, and one day he will die under someone else's gun.
Their life is useless. They have known this for a long time. Because they know it, they make unremitting efforts to prove that they are useful. The final result is failure, and then tell themselves: Look, I am right, I am useless. Their fussing, if the movie is not a comedy ending, it is very likely that the daughter and the daughter's boyfriend will die. It was just an accidental accidental death of a wife. The result of the fuss is that the whole family is finished together. What my daughter's boyfriend said makes sense. Different people have different ways to solve a crisis. Marcus is a soldier, so he uses violence. The yogi uses meditation and the athlete goes to the next game. They follow the same methods used in past scenarios to solve new problems and get the same result, but they themselves expect miracles. Which military action did not lead to endless revenge killings and long-term regional unrest? Once again the three geeks justify the three of them being fired.
Why are they so complicated? The time is too long, and the time must pass.
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