The beauty of Earth Night is the radiance and beauty of all the gestures of life in the taxi.
A movie, five clocks, five places, and twos and threes in a taxi, the story begins at this time.
Taxi girls in Los Angeles wear caps and smoke cigarettes. She has ideas of her own, so she turned down the scout's invitation, knowing she wanted to be a mechanic, not a movie star.
Los Angeles is about chasing dreams.
The time the clock turned to New York. A Joker from Czechoslovakia meets a Yoyo who is traveling to Brooklyn. Joker is not good at driving, but Yoyo is good at it. So Youyou said, I will be the driver today and you will be the passenger. In the meeting between the two of them, chatting and chatting were very natural. He was probably the first kind passenger the Joker met, although he seemed to be the bastard in Angela's eyes. He didn't know the Joker's next destination at all, because he was not familiar with New York in the middle of the night at all, but in any case, let's go on like this.
New York goes with the flow and goes with the flow.
In the taxi in Paris, there are young men and a few Ivorian ambassadors who are talking vulgar language, but these people who think they are superior are not suitable for appearing in the car on Earth Night. The black driver directly said, don't go wild in my car.
Then came an invisible girl, full of personality and aura.
She said, I can do what you can, and I can do what you can't. I eat, drink, taste, listen to music, feel music, do whatever I want, even watch movies, just like you. I can feel the movie, I can listen to it.
The black man asked her what color I was. She said, I don't care if you're green or like a blue turnip, color means nothing to me. For the first time black people discovered that the original color is nothing.
The black man asked her, listen to me, where do I come from. She said Cameroon was still Côte d'Ivoire. She said I don't care about you. She said I don't need your mercy. Her invisibility is meaningful.
Paris is endless, mutual redemption.
Rome, where streetlights are installed, is too dark.
This taxi driver talks a lot, even if he is alone, he will not be bored. He loves music, chats, and strikes up a conversation.
He can say a lot by himself, like, if there is no room available in the genius hotel, I will go to the idiot hotel; or I like one-way streets, like playing bumper cars, in the middle of the journey of life.
When he met a priest who didn’t talk much, he still talked about his own life. With the priest’s reminder, he took off the sunglasses he forgot to take off in the morning, and then found that his joking words offended the priest and made him rush Ascension, he put on his morning sunglasses again, and put the priest's body on the side of the road.
What you despise and blaspheme is his love and belief.
Rome is in a state of drowsiness and sleeplessness.
The dawn of Helsinki is the voice of several men talking.
They talk about the suffering they have encountered, only to find that the sadness in the world is much heavier than they thought.
The drunk and unemployed man suffered the pain of having a new car smashed, his daughter pregnant before marriage, and his wife getting divorced, but the driver's story is obviously more profound. The doctor said that MiG's child was premature, and he decided not to give him love. After three weeks, the child was still in the doctor and he was still worried. MiG decided to give him love, and decided to give him all the passionate love. Just as the day was about to give all love, the child was gone. This is probably the saddest moment. Families also naturally have no results.
In the face of suffering, people always have little room to narrate and cry.
Helsinki was born to die, to live with the light.
The night of the earth that I walked through in the story clip does not seem to be that long. In a series of encounters without endings and endings, the long night has passed and it is still a new dawn.
On the night of the earth, encounters are not always complete, and walking never stops.
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