Three and a half. I didn't understand it before reading it, but I was completely deceived by the Chinese translation of this farming language... In general, it gave me the feeling of "weirdness". There are many old films and Gould's piano interspersed in the middle, which seems to be trying to give some specific scenes some artistic characteristics. It is obvious that this is a murderous self-report of a psychopath, and the actual film is constantly emphasizing the role. The pursuit of art and beauty that is non-mainstream, even contrary to moral ethics. In addition, I don't think that any so-called "anti-human" sign in the virtual works means that such works are disgusting and not worth watching (although there are many R-rated scenes in this film), in which the faces of the characters and famous paintings are constantly The overlapping and changing scene is to express that the character itself has become the enduring art he aspires to in his imagination? I haven't read many books and movies, so I don't know if the director is pretending... But the killer finally returns to hell, plus the thought-provoking word "goodbye" in front of me, it gives me an inexplicable sense of ritual, only However, the meaning of that paragraph is much shallower and slightly confusing. I can see a little bit of religion and mythology as a whole, maybe because a lot of these things are quoted in the film
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