Vertov didn't really start to create the charm of montage until he got to the editing table. The biggest show in the film is that it seems to have nothing to do with the shooting and observation subject: the lens gives it a subjective perspective. The lens uses the restored objective world image to think and recreate. Create "I observe, I think", the camera observes the public, the people go to the cinema to watch themselves and the camera media, reflexive cross-cutting, the girl wakes up and the train passes by, and it is like a dream montage, changing the camera, changing the perspective, changing the camera, and the joys and sorrows of the society at the same time Some people get married and some get divorced. Contrast montages. Death and the new life are similar. Gestalt psychology. Freeze-motion and re-editing of the flowing images is like a demonstration of the director's creative method. The superimposition of the same scene of accelerated montage of female workers and a robotic work society. Collage of political posters from scratch The splicing rhythm and speed of the shots, the length of the action, and the photography skills that symbolize the pioneers, freeze-frame, multiple exposures, split-screen mirroring, and stop-motion animation endow the film with spectacle and a different time to observe the world. A symphony of the life of ordinary citizens in the city
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