Looking back at the Indian movies I have seen, from the earliest "Mamma Mia", they sang and danced from beginning to end, and there was no affection, love or hate that could not be sung, and there was no grievance and past that could not be escaped. Then there is "Slumdog Millionaire", which is actually an American movie, but it is also set in India, and there is a classic Indian song and dance at the end. "Three idiots make trouble in Bollywood", this work basically has no singing and dancing, and only relies on the plot. On a whim, I watched "Baahubali" and felt the importance of the magnificent soundtrack in epic movies. The music and dance in it is no longer a large-scale group dance mode. The dance part is mainly displayed in the imagination of the protagonist climbing the waterfall and seeking the unrestrained imagination of the love in his heart. step. (This part is the most widely circulated on the Internet) But the wonderful thing in the film is not that. The film is an epic heroic historical fantasy of India. A blockbuster that integrates elements of political machinations, epic wars, heroes and beauties, and religious beliefs. It is divided into upper and lower parts, and each part is about two hours and twenty minutes long, and there are also deletions. The film is interspersed with memories, the grudges and hatreds of two generations, the political fate of a country, the growth and revenge of a young man, and a dusty past that unfolded with a journey of chasing love. The father and son of the protagonist group feel that the characters are too perfect, especially the father, who may have been recited by others. The portrayal of the father's character is a little weak, and it can be summed up with only one perfection, but his behavior of family power struggle is really always. Can't see through? In contrast, the son's role is fuller, carefree in the early stage, painful revenge in the later stage, and the turning point in the middle comes quickly and quickly. The three main female characters in the film are all heroic women who are courageous and resourceful, and who can kill the enemy with determination. And the stupid loyalty of one of the important supporting characters, the old slave, is both admirable and regrettable. The sense of religious destiny that runs through at the end. From the belief of every common person to the collective belief of the entire kingdom, the hero incarnated by Shiva is brave, smart and decisive, with the halo of the Son of Destiny. The cry of "Lee" resounded throughout the ceremony, as large as the completion of Hamlet-style revenge, attacking the city-state with remnants, outwitting the door, and defeating the uncle who had been trained by professional warriors by force. Shiva, Vajra glared, defeated the enemy and let him finally die in the raging fire of karma. The movie is magnificent, and the plot starts and turns together, which is compact and lively; the imaginative part is wild and unrestrained; the colors are colorful and bold; the scenery is also magnificent and varied; The most important thing is the music? Complement each other, or be vigorous and cheerful, or sad and desolate, or exhilarating... The singing in the part of personal love is cheerful and romantic, the singing in the part of collective war is majestic, and the singing after the hero ends is tragic and tragic! This Indian film is an excellent combination of music, pictures, and plot. It's cool and praised, good film!
View more about Baahubali: The Beginning reviews
