#film# Lee Isaac Zheng "Minari" On the evening of April 30th, there was a hailstorm in Hefei, and it may be the end of the world. While I'm still alive, I'll finish writing the film review first. It's a cultural difference, not a cultural difference. , not "Pushing Hands" and "Gua Sha", I think it's more like "The Grapes of Wrath" wearing a Korean immigrant coat. The camera is very stable, the rhythm at the beginning of the film is weird, and the first one broke out before the preparation was done. Dramatic conflict, the emotions are a bit insufficient, but from the second half, the whole early stage is good, many, many, many foreshadowings are used later, and they are used very naturally, as Chekhov said: "The first act appeared The gun will always fire in the third act", the gun finally fired, I am satisfied with this point. The religion mentioned is very much, very Korean, very Korean, I was thinking about what is special about the American farmer who is crazy about religion I thought about it, I thought about it a lot, but I felt that it was a bit over-interpreted, and it was a little bit that the director's way of handling drama conflicts was always almost meaningless, and it couldn't reach the point of mutual salvation between the couple. Speaking from the heartless performance that my wife pretended to be, I really didn't see that the sad and happy ending at the end was really vulgar, especially when a fire burned everything, it was really white and the earth was really clean
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