But the more I look at it, the more I feel that the changes are inseparable. There is only one key to dispel magic, but the form is different. Like the moving castle of Howl back then, Howl and Sophie are not post-modern versions of the prince and princess, but that kind of description makes people feel unconventional. Some people may question that Uncle Miyazaki is not as good as before, but I think the performance There is no need to shy away from the real feelings between people. Whether it’s war or magic, if you want to tell a story and finish it, you will win.
This time the princess and the frog can be regarded as Disney’s return work. Although there are still shadows in the routine, for example, the heroine has the shadow of Bell in Beauty and the Beast, but it is undoubtedly very healthy and lovable, and it is made by women in the new era. group. The more brilliant is a group of supporting characters: the silly princess lady, although vulgar but kind-hearted (fortunately not becoming the stepmother daughter of Cinderella); the crocodile playing the trumpet is the kind of funny character that many animations will have; love one The fireflies of the stars looked at me and cried. . .
The story is very joyful, the original sound is great, and it has a strong jazz flavor. You can adjust it when you are in a bad mood. For fairy tales, don't worry about it too much.
Nowadays, I watch a lot of Japanese animations, while those in Europe and the United States, especially in the mainstream market, are getting less and less. Generally, I still like 2D, always use technology, and have a lot less storytelling. Of course there are good ones, but I still like natural and friendly 2D.
View more about The Princess and the Frog reviews
