Non-black and white can cover up

Hollie 2022-03-24 09:02:27

Can't seem to watch Mank without knowing Citizen Kane. There is no way to make a conclusion, because the opportunity to watch "Mank" instead of "Kane" has been lost.

Before "Mank", I deliberately reviewed "Kane". "Citizen Kane" is about a media mogul, why he is who he is, and why he lived that way. It can be summed up as character determines destiny, and character is based on childhood.

"Citizen Kane" was an epoch-making film in 1941, and even if you watch it today, you can still find its distinctive brilliance among contemporary films.

Eighty years later, is the "Mank" derived from it also twinkling?

I don't think its black and white tones are deliberately humbling the light, and I don't even think it's the best idea.

The temperament of contemporary people is too different from that of the 1930s and 1940s. Black and white pictures may cover up spots and wrinkles, but they cannot stop the demeanor and eyes of the spirit of the times. There are too many contemporary ones, how to make up, how to say lines, how to mobilize the camera, although it is deliberately retro, but the effect of intermittent retro is more obvious, reminding the audience from time to time, "You are definitely not watching the 1930s and 1940s".

"Mank" story? Not as great as Mank's poster (don't be fooled), much less Mank's (Herman J. Mankiewicz) Citizen Kane. How could the man who drank too much but talked a little too much compared to the man he wrote who was supposed to be president sooner or later? The whole film only answers one question, why did Manke write "Citizen Kane"?

As for why this question is being asked, it may be to insinuate the present - the evil elephant party and the good donkey party, fake news and public opinion manipulation. I hope someone uses movies to ask such questions, how did the upper echelons of Hollywood change from red to blue?

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Extended Reading
  • Lizeth 2022-04-24 07:01:15

    The story behind Citizen Kane, the Austrian fans are estimated to be so angry that the screenwriter award under the heavy resistance is an invisible affirmation to Manke. It's just that there are too many capital stories in Hollywood factories, and the big screenwriters are just hard-working workers. There is a sentence in Mayer's film that tells the truth. The only star of MGM is Lyon the Lion.

  • Camilla 2022-03-26 09:01:08

    Both satisfied and disappointed. For fans familiar with the golden age of Hollywood, this film is nothing less than a time-travel full of streamers, so it still deserves four stars. But it is very unfriendly to ordinary audiences, and the torrent of trivial information is enough to make people dizzy. However, the main flaw is that, compared with Quentin's unbridled and joking [Once Upon a Time in Hollywood], [Manck] seems more like a mediocre film still stuck in the abyss of imitation and reproduction. The technical level is irreproachable, but it lacks creativity and aura after all - the same problem has already been exposed in David Fincher's works, but this time, inherited from his father and the heavy shackles of old Hollywood, and strong Obsession, obviously bound his hands and feet. (8.0/10)

Mank quotes

  • [a drunken Herman Mankiewicz sits at the corner of a large dinner table at an elaborate costume party, hosted by William Randolph Hearst and Louis B. Mayer. Instead of tinking on a glass to get the guests' attention, he slashes his glass with a knife. Gasps fill the room as he rises from his seat]

    Herman Mankiewicz: I've got a great idea for a picture, Louis. A picture I just know you're gonna love. It's a modern day version of Quixote!

    [Mank realizes his voice echoes through the room, but he continues, circling the table full of silent guests]

    Herman Mankiewicz: Now I know none of you read, but you know what it's about. A deluded old nobleman, who tilts at windmills. So how might we update this story?

    Butler: [whispers to Hearst] Do you want me to get someone?

    William Randolph Hearst: No.

    Herman Mankiewicz: How about we make our Quixote... a newspaperman? Who else could make a living tilting at windmills? But that's not enough... no, he wants more than readership. He wants more than adulation, he wants love. So, he runs for public office, and because he's notably rich, he wins... no, w-w-w-wait a minute. Notably rich and powerful, can't win over an audience unless notably rich and powerful sees the error of his ways in the final reel. Notably rich and powerful and making no goddamn excuses for it is only admirable in real life. Isn't that right, Louis?

    [Mayer glares at Mank as he drunkenly attempts to light his cigarette with the massive fireplace at the end of the room, unsuccessfully. Marion Davies takes a swig of her drink]

    Herman Mankiewicz: So what do we do? Anybody? We give him ideals! Ideals that any dirt-poor, depression-weary audience can identify with. Our Quixote is against crooked trusts, he's for the eight-hour workday, fair income tax, better schools. Why, he's even for government ownership of railroads. And you know what we call those people?

    Male Guest: Communists!

    Female Guest: Anarchists!

    Herman Mankiewicz: No, our Quixote, he's a two-fisted muckraker. In fact, someone predicts that he will one day win the presidency and bring about, get this...

    [laughing uncontrollably]

    Herman Mankiewicz: ... a socialist revolution!

    Louis B. Mayer: What a bunch of bullshit.

    Herman Mankiewicz: Is it? Tell him, Willie. Tell him.

    [Silence]

    Herman Mankiewicz: Upton Sinclair used exactly those words to describe a young William Randolph Hearst.

    Louis B. Mayer: [leaping from his seat] You miserable bastard!

    Herman Mankiewicz: [bowing] How do you do?

    [Some guests begin to leave the room, but Hearst's and Mayer's eyes stay on Mank]

    Herman Mankiewicz: Our Quixote, he hungers, he thirsts, he lusts for the voters to love him, love him enough to make him president, but they won't. And they don't. How do you suppose that could happen? Could it be because, in their hearts, they know he values power over people?

    [More guests leave as Mank approaches Hearst, still seated]

    Herman Mankiewicz: Disillusioned in Congress, he authors not one single piece of legislation in two terms. Can you believe that? That'll take some writing. Placed in nomination for president... it's too radical for the boys in the back, his bid goes nowhere! But we're doing something. We're building sympathy!

    [Even more guests leave]

    Herman Mankiewicz: Rejected, he flees to lotus land, where his faithful troll, Sancho, has prepared a mythical kingdom for...

    [Mank eyes Davies, stopping himself totally]

    Herman Mankiewicz: Wait a minute. I forgot the love interest! Her name: Dulcinea.

    [Every remaining head in the room turns to Davies]

    Herman Mankiewicz: Funny, adventurous, smarter than she acts. Ah, she's a... she's a showgirl! Beneath his social stratum, but that's okay because true love on the big screens, we all know is blind. And she... well, she loves him, too. So he takes her away to his m-mythical kingdom,

    [to butler]

    Herman Mankiewicz: can I get a bicarb?

    [back to the guests]

    Herman Mankiewicz: Now, along comes nemesis, that's Greek for any guy in a black hat, nemesis runs for governor, and he's a shoo-in to win. Why?

    [points to Hearst]

    Herman Mankiewicz: Because he's EXACTLY what our Don used to be! An idealist, ya get it? And not only that, nemesis is the same guy who once predicted that our Quixote would one day preside over a socialist revolution. Our Quixote looks into the mirror of his youth and decides to break this glass, a maddening reminder of who he once was. Assisted by his faithful Sancho

    [pointing to Mayer]

    Herman Mankiewicz: and armed w-with all the black magic at his command, he does just this. Destroying, in the process, not one man... but two.

    [Hearst is clearly furious, but maintains his composure]

    Herman Mankiewicz: Well, what do ya think, Louis? Hm? Do ya think it'll play?

    [Mank finally belches onto the floor. Any guest who hasn't already left does so]

    Herman Mankiewicz: Don't worry, folks. The white wine came up with the fish!

  • Herman Mankiewicz: Irving, you are a literate man. You know the difference between communism and socialism. In socialism, everyone shares the wealth. In communism, everyone shares the poverty.