A bizarre exploration of sci-fi themes in the field of art films is a cold Scottish street, a beautiful woman dressed in fur, driving a van that is very out of tune with her body, cruising around. She kept asking the young man for directions and talking. If the other party is interested, she will invite the man home. Entering the room, they walked into the darkness together, and there was a dark and boundless mirror under their feet, only reflecting the reflections of the two of them. She walked with enchanting dance-like steps, and the man she followed did not know that he was about to be drained of flesh and blood, turning into a silky smooth skin, swaying and dancing in the darkness. What is an art film, there are many definitions. One of the most down-to-earth films I've ever seen: films that don't please the audience, are art films. Stephen Chow also said: Art is very subjective. In the matter of not pleasing the audience, this film can be said to have put a lot of effort into it. The first dialogue did not appear until the 13th minute of the movie, and the heroine was still doing the same thing at the 50th minute. The only thing that worries the audience is a crying baby left alone on the beach after his parents were killed, but the movie doesn't explain his whereabouts. Abstract imagery, slow rhythm, minimal dialogue, obscure character motives. There is also that kind of rusty iron friction, weird and messy music, which is all in the viewing experience of the challenger audience. Even so, the film is still a very pioneering film. He was ahead of his time, just like Space Odyssey 2001. The titles of the two films have the same purpose, the whole film is deep and mysterious. It's just that "2001" is an extroverted thinking facing the entire universe, while this film is an alien perspective, a reverse prying into the depths of people's hearts
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