"Raising Arizona" Raising Arizona has a touching picture quality, color and texture, it is a great enjoyment. At 1 hour and 13 minutes, I suddenly realized, isn’t this the mushroom head killer in no country for old man? The Coen brothers played this kind of non-human anti-personality routine 20 years ago. The sturdy man in "Raising Arizona" can still see the source of conflicts such as tattoos and baby shoes, in no country for old man. It's perfect to the cold blood of non-human beings and deadly, or the incarnation of pure danger, amazing. In the same way, in the absurd package, the Coen brothers were poets from the beginning, a bunch of lively fights, and in the end they always have to come up with a dream sublimation question. There is everything in the dream, a perfect family, children and grandchildren. , Salad life in the sunset.
Francis McDormand, 20 years ago, he was really young and beautiful, and his acting with soaring blood vessels was relaxed. The other is the strong accent of the actress, and the subsequent ice storms are all tricks of the Coen brothers. Nicholas Cage did not expect that an actor from the Coppola family played the 2B youth very well. Ed, played by Holly Hunter, reminds me of Keira Knightley for a few moments , lying with her husband in Arizona’s hometown of cacti, watching the yellowishness fade away in the deep night sky. It is very beautiful.
The two brothers who escaped from prison are also the highlights. After climbing out of the underground pipe, they roared at the sky, the ground was full of mud and puddles, this picture can not help but reminds of Shawshank, and this is a 1987 movie, before 1994 . Gail, who came out first, stretched out his hand and pulled out his brother from the muddy sewer exit. With all the effort and effort, including the picture, it was like giving birth to a child. He finally saw the sky and was born again.
Hey, I went to steal the children from Arizona. The quintuplets were neatly placed in the crib. They were noisy and noisy. After coaxing one to prevent the other from making trouble, it was much more complicated than grabbing a convenience store. Hey, sweating profusely. The first time ended in failure. Ed begging for his son, forced him to steal one more time, creating a hero in time, and he finally succeeded, holding back a fat and cute Junior.
Grabbing a series of shaky tracking shots at the convenience store is also the essence. Stupid policemen, 2B cashiers, women with plastic curling irons yelling in the supermarket, and dogs, big dogs with chains around their necks lead the dogs to rush and chase them, hey, I have to escape , You have to choose whether the child's diaper is wet or not, which can be summarized as a robbery caused by a pack of diapers.
He had two dreams in the movie. In addition to the sublimation of the dream at the end of the movie, there was another time when the baby Junior was stolen back from the night. The sturdy guy fought head-on to compete for Junior. He accidentally pulled off the clothes on the sturdy guy's chest. The tattoo of the red bird was exactly the same as the tattoo on his arm. He opened the grenade safety pin and killed the big man. Dream and reality are intertwined, say goodbye to the demon in my heart.
The 94-minute movie, the first ten minutes to start the story, hey and Ed’s encounter, only then did the movie name and cast list appear, with the transparent mask of the Arizona sunset as the background, which is impressive. Bright. The story begins with Hei and the big guy winning the battle. He and Ed send back to Junior. This conversation with Junior’s father is a little sensational, but the picture immediately turns to the dream of Hey. NS.
Behind the lively fights in "Raising Arizona" is the story of going home. Hey, he first regarded the prison as a "home". Robbery has been tried and tested. There is always such a group of people in the prison who come in and out. They don't care. A man of this age should get married and have children. What do you think of the prison as a family? Before getting married and not knowing the meaning of home, Hi and the brothers adhered to the principle of "getting married first". Reagan administration's management, laws, and the same procedures, Hey came to the conclusion that reformation and revenge existed at the same time. While accepting reformation, he insisted on resisting and retaliating until he met Ed.
The love that Hi and Ed cultivated under the prison is ridiculous in itself. One is a criminal and the other is a prison guard. After realizing that he missed Ed more than the convenience store, he came out of prison and proposed to Ed. After Jinpen washed his hands, Hi decided to work hard to live a life with Ed, but the child's problem changed everything, and pressure followed. He drove by the convenience store, primitive desire and impulse called him to stop. That time he didn't stop, he drove back to his home with Ed.
The two brothers escaped with a mission. They planned to rob the Village Bank. The crime made them feel happy. By coincidence, they learned about the baby Junior at home, and the two kidnapped Junior. However, what the two brothers did not expect from prison was that the child's innocence and cuteness made them naturally show their original love, and they added a sweet burden during the robbery, which seemed to arouse their re-recognition of "going home".
After the escaped brothers experienced kidnapping the baby Junior, they decided to climb back to the prison from the sewer where they had escaped. They may not be ready to enter the world, but of course this appeared in Hi's dream. In his dream, Nathan Junior grew up to be an excellent child. Hey grew old with Ed and welcomed his children and children's children to visit him. The prison break brothers and Hey both found their way home in their dreams.
Hi Ed, good luck to you all.
(over)
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